<p>In his 1959 essay "Philadelphia in the Year 2009," Edmund Bacon described a city remade, modernized in time to host the 1976 Bicentennial celebration and Philadelphia World's Fair. <i>Imagining Philadelphia</i> assesses Bacon's vision, discussing what has been accomplished and what might have bee
The Philadelphia School and the Future of Architecture
โ Scribed by John Lobell
- Publisher
- Routledge
- Year
- 2022
- Tongue
- English
- Leaves
- 209
- Series
- Routledge Research in Architecture
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
Flourishing from 1951 to 1965, the Philadelphia School was an architectural golden age that saw a unique convergence of city, practice, and education, all in renewal. And it was a bringing together of architecture, city and regional planning, and landscape architecture education under the leadership of Dean G. Holmes Perkins.
During that time at the architecture school at the University of Pennsylvania (known as the Graduate School of Fine Arts or GSFA), Louis Kahn and Robert Venturi were transforming modern architecture; Romaldo Giurgola was applying continental philosophy to architectural theory; Robert Le Ricolais was building experimental structures; Ian McHarg was questioning Western civilization and advancing urban and regional ecology; Herbert Gans was moving into Levittown; and Denise Scott Brown was forging a syncretism of European and American planning theory and discovering popular culture. And in the city, Edmund Bacon was directing the most active city planning commission in the country.
This book describes the history of the school, the transformation of the city of Philadelphia, and the philosophy of the Philadelphia School in the context of other movements of the time, and looks at what the Philadelphia School has to offer to architecture today and in the future, all from the point of view of a student who was there.
โฆ Table of Contents
Cover
Half Title
Series
Title
Copyright
Dedication
Contents
Preface
0.1. Historical Context
0.2. How This Book Came About
0.3. What This Book Is and Is Not
1 Introduction
1.1. First Recognition
1.2. Synergy and Convergence
1.3. Todayโs Golden Age
1.4. The Philadelphia School in Context
1.4.1. Design Methods
1.4.2. The Social Sciences
1.4.3. Historicism
1.4.4. Radical Technology
1.4.5. Semiology
1.4.6. Postmodernism
1.4.7. Formalism
1.4.8. Starchitecture
1.5. Recognition Today
1.6. The Approach of the Philadelphia School
2 Philadelphia
2.1. A Quick Overview
2.2. What We Learned
2.3. Edmund Bacon and the Renewal of Philadelphia
2.4. The Worldโs Fair
2.5. Baconโs Achievement
2.6. Baconโs Legacy
2.7. Success and Failure of Great American Cities
3 The School
3.1. Background
3.1.1. The University of Pennsylvania and Architecture
3.1.2. Paul Philippe Cret
3.1.3. Trying to Keep the Past Alive
3.1.4. Hudnut, Gropius, and Perkins at Harvard
3.1.5. G. Holmes Perkins: Architect of the Philadelphia School
3.2. Other Programs
3.2.1. Land and City Planning
3.2.2. Landscape Architecture
3.2.3. Civic Design
3.2.4. The Unity of Design
3.2.5. Fine Arts
3.3. The Architecture Program
3.3.1. Undergraduate and Graduate Programs
3.3.2. College at Penn
3.4. Design
3.4.1. Basic Design with Nowicki
3.4.2. First Year
3.4.3. Design Studios
3.4.4. Student Work
3.5. History and Theory
3.5.1. History and Architectural Education
3.5.2. Key Buildings
3.5.3. Denise Scott Brown
3.5.4. James Murphy
3.5.5. Romaldo Giurgola
3.5.6. Robert Venturi
3.5.7. History-Theory Electives
3.6. Technology
3.7. Thesis
3.8. Kahnโs Masterโs Class
3.9. Our Buildings
3.9.1. The Fine Arts Building
3.9.2. The Furness Building
3.9.3. Meyerson Hall
3.9.4. Other Buildings
3.10. Faculty Leaving
3.11. Campus Unrest
4 Philosophies of the Philadelphia School
4.1. Wittgensteinโs Thread
4.2. The Beaux-Arts and the Philadelphia School
4.2.1. Why Begin With the Beaux-Arts?
4.2.2. What was the Beaux-Arts
4.2.3. The City Beautiful Movement
4.2.4. The Benjamin Franklin Parkway
4.2.5. The Chicago Worldโs Fair
4.2.6. The Plan of Chicago
4.2.7. Rejection of the Beaux-Arts and the City Beautiful Movement
4.2.8. Perkinsโs Attack on the Beaux-Arts
4.2.9. A Renewed Interest in the Beaux-Arts
4.2.10. Kahn and the Beaux-Arts
4.3. Meaning in Architecture
4.3.1. Hudnut, Gropius, and Harvard
4.3.2. Symbol, Sign, and Meaning
4.4. Culture
4.5. Popular Culture
4.5.1. Andy Warhol Comes to Penn
4.5.2. Robert Venturi and Denise Scott Brown
4.6. History and Theory
4.7. Modern Architecture
4.8. Regional Ecology
4.9. Urbanism
4.10. Context, Complexity, and Contradiction
4.10.1. An Architecture for Nowhere
4.10.2. Complexity and Contradiction in Architecture
4.11. Spirituality
4.12. Social Issues
4.13. A Lived-in Art of Institutions
4.14. Lineage
4.15. The Thread
5 Philadelphia School Buildings
5.1. General Characteristics
5.1.1. Clarity of Construction
5.1.2. Structure as a Giver of Order
5.1.3. Mechanical Equipment (HVAC) is Expressed, Not Hidden
5.1.4. A Preference for Masonry and Concrete Over Steel
5.1.5. Plan Over Section
5.1.6. A Hierarchical Order of Program, Spaces, and Structure
5.1.7. An Interest in Geometries
5.2. Some Buildings
5.2.1. Trenton Jewish Community Center, Project, 1954โ59 by Louis Kahn
5.2.2. Trenton Bathhouse, Trenton NJ, 1959 by Louis Kahn
5.2.3. Alfred Newton Richards Medical Research Building (The Medical Towers), Philadelphia, PA, 1957โ60, by Louis Kahn
5.2.4. Goldenberg House, Project, 1959, by Louis Kahn
5.2.5. Pender Labs, Philadelphia, PA, 1958 by Geddes, Brecher, Qualls, Cunningham
5.2.6. Residence Hall Group for the University of Delaware, c. 1966, by Geddes, Brecher, Qualls, Cunningham
5.2.7. Walnut 32 Parking Garage, Philadelphia, PA, 1963, by Mitchell Giurgola
5.2.8. Boston City Hall Competition Entry, 1962, by Romaldo Giurgola with Ehrman B. Mitchell and Thomas R. Vreeland, Jr.
5.2.9. Venturiโs Early Work
5.2.10. Vanna Venturi House, Chestnut Hill, Pennsylvania, by Venturi and Rauch, 1962
6 The Philadelphia School and the Future of Architecture
6.1. The GSFA Education
6.2. The Whites and the Grays
6.3. The Future of Architecture
6.3.1. Our Golden Age
6.3.2. The Beaux-Arts
6.3.3. Meaning in Architecture
6.3.4. Culture
6.3.5. Popular Culture
6.3.6. History
6.3.7. Modernism
6.3.8. Regional Ecology
6.3.9. Urbanism
6.3.10. Context
6.3.11. Construction
6.3.12. Spirituality
6.3.13. Social Issues
6.4. A Lived-in Art of Institutions
7 Epilogue: My Education
Appendices
8.1. Appendix 1: Books That Tell the Story
8.2. Appendix 2: Books We Read
8.3. Appendix 3: G. Holmes Perkins
8.4. Appendix 4: Mimi Lobell
8.5. Appendix 5: Mimi Lobellโs Letter
8.6. Appendix 6: Robert Geddes on the Philadelphia School
Bibliography
Index
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