Clark (Because She Can) moves the Pygmalion myth to Manhattan, adds a dash of Thelma and Louise and proves what goes around, comes around to those born to the manor or trailer park. Professor Higgins is recast as suave bachelor Wyatt Hayes IV, the sleekest lion in the pride, who picks down-on-her-luck fashion designer wannabe Lucy Jo Ellis to make over into the toast of the town. The deal is eventually struckβmakeover and a shot at well-born fashion contacts for a gentleman's bet that masks a lucrative and career-saving book deal. Along the way, these perfectly matched antagonists battle mean-as-a-snake society snoots and their own misguided ambitions to find happiness and each other. (And, it should be said, the Rain in Spain remix is pretty great: The snow in Gstaad puts Aspen's to shame! the newly svelte and prepped Lucy proclaims.) Yes, of course the ending's no surprise, but the rollicking, smart-aleck fun along the way is worth the price of admission. (Dec.)
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Lucy Jo Ellis, from a small town in Minnesota, moved to New York with the dream of becoming a famous designer, but so far, working in a dress shop cutting out patterns, she hasnβt gotten very far. Wyatt Hayes is a Harvard-educated anthropologist from money, very old money, who just dumped his socialite girlfriend. Suddenly inspired while waiting for a taxi, he bets his friend that he can turn a girl, any girl, into a bona fide New York socialite, no matter how corn-fed she is. Lucy needs a job, so she agrees to the experiment. In a whirlwind of personal trainers, designer gowns, spa retreats, and elocution lessons, Lucy is transformed, and now she must decide which of the Lucys is really her, and if Wyatt is simply a scientist or if there is more to his story. Clark offers a charming twenty-first-century update of Pygmalion and My Fair Lady. --Hilary Hatton