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Cover of The Monster of Florence

The Monster of Florence

✍ Scribed by Nabb, Magdalen


Book ID
107764555
Publisher
Soho Crime
Year
1996
Tongue
English
Weight
278 KB
Series
Marshal Guarnaccia 10
Category
Fiction
ISBN-13
9781616953256

No coin nor oath required. For personal study only.

✦ Synopsis


Based on a chilling true crime, The Monster of Florence follows the reopening of a cold case—a serial killer who targeted unmarried couples and terrorized Florence for two decades.

Marshal Guarnaccia's job with the carabinieri—the local Florentine police—usually involves restoring stolen handbags to grateful old ladies and lost cameras to bewildered tourists. So when he is assigned to work with the police in trying to track down a vicious serial killer, he feels out of his league. To make matters worse, the Proc he must report to is Simonetti, the same man he knows drove an innocent man to suicide several years earlier in his blind quest for a conviction. The Marshal can't let the stress of the case get to him if he wants to make sure justice is upheld.

From Booklist

Nabb’s death, in 2007, left a serious hole in the roster of A-list mystery writers, and the publication of a posthumous novel starring her series hero, Marshal Guarnaccia, of the Florence Carabinieri, is a welcome event for all fans of international crime fiction. The novel, originally published in the UK in 1999, has curiously never appeared in the U.S. It’s an odd book in some ways, based on a real-life serial killer, the Monster of Florence, whose reign of terror lasted more than 20 years and who may or may not have been apprehended. Guarnaccia, assigned to a cold-case squad tasked with reopening the still-unsolved murders, spends much of the book reading files (and the marshal is not a reader by nature) and mulling over not only whether the suspect being investigated is in fact the killer but also why he was chosen for the task force. The reliance on so many secondary sources, though no doubt fascinating to those who know the real-life case, tends to slow the narrative flow, but, fortunately, there is more than enough of Guarnaccia’s Columbo-like mix of bumbling and shrewdness to please fans. --Bill Ott

Review

Praise for The Monster of Florence

"One of Nabb's darkest novels, almost shocking in its disenchanted acknowledgment of human brutality."
—The New York Times Book Review

"The late Magdalen Nabb never wrote a bad book.... She’s well worth discovering by a new generation of readers... [Monster of Florence] is one of the best of her works and readers can revel in the streets, sounds, smells of Florence."
—The Globe and Mail

“It is so good to walk with [Magdalen Nabb] through the animated streets of Florence, with its carabinieri, its ordinary people, its little trattorie and even its noisy tourists. It's all so alive, you can hear the noises, smell the smells, see that morning mist on the fast flowing Arno…. Bravissimo!”
—Georges Simenon

"Monster is powerful in its indirection and its presentation in a fictional context of the facts of a real and celebrated case.... It's both a very effective crime novel and something more than a crime novel."
—Glenn Harper, International Noir Fiction

"A haunting thriller where past and present collide, where ambition brutalizes those who have most need of compassion and where lies are often more credible than truth."
—Val McDermid

"Nabb's account of the details is freshly horrifying.... The vicious, incestuous suspect is so vivid on the page that the reader feels the need of a shower after each of his many appearances."
*—Donna Leon for the Sunday Times *

“Fans who mourned [Nabb’s] death in 2007 will want this mystery.”
** —Library Journal**

"Nabb’s death, in 2007, left a serious hole in the roster of A-list mystery writers, and the publication of a posthumous novel starring her series hero, Marshal Guarnaccia, of the Florence Carabinieri, is a welcome event for all fans of international crime fiction."
—Booklist

Praise for Magdalen Nabb

"It takes a writer as good as Magdalen Nabb to remind us how subtle the art of the mystery can be."
*New York Times *


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