The moment of self-portraiture in German Renaissance art
β Scribed by Joseph Leo Koerner
- Publisher
- University of Chicago Press
- Year
- 1993
- Tongue
- English
- Leaves
- 421
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
** ADMINISTRATOR PLEASE DELETE, PDF HAS MORE MISSING PAGES THAN I THOUGHT (NOT ONLY BACK MATTER) **
NOTE ON COMPLETENESS:
This PDF ends at page 514 (out of 543 page). It ends in the middle of "Notes" appendix and before index. The PDF also has no images (like Google Books previews for example).
Nevertheless the PDF is much useful for a person interested in this excellent book!!
π SIMILAR VOLUMES
<p>Self-portraiture is a singular form within the broad field of first-person film and video β not so much an account of the filmmakerβs intimate life as a representation of the artist at a given instant. With deep roots in the Western tradition of painting and literature, self-portraiture in the mo
During the Reformation, statues and carvings of saints, once commonly revered as aids to salvation, were condemned by increasing numbers of Protestants as fearsome idols. Moral doubts coupled with widespread acts of iconoclasm meant potential ruin for hundreds of German sculptors whose economic live
Wood shows that over the course of the fifteenth and early sixteenth centuries, emerging replication technologies - such as woodcut, copper engraving, and movable type - altered the relationship between artifacts and time. Mechanization highlighted the dependence of all transmission processes on the