β Scribed by Barry Maitland
No coin nor oath required. For personal study only.
When one of three elderly sisters, great-granddaughters of Karl Marx, is found dead in her Jerusalem Lane house, Detective Sergeant Kathy Kolla and Detective Chief Inspector Brock investigate. An atmospheric police procedural-the first in the acclaimed Brock and Kolla mysteries.
Jerusalem Lane is a little piece of Dickensian London untouched by development, its inhabitants mainly refugees from pre-war central Europe. But could elderly Meredith Winterbottom really have been killed for the politics of another age?
As Detective Sergeant Kathy Kolla and Detective Chief Inspector Brock delve into the lane's eccentric melting pot, past and present interlink in unexpected ways. What connects Mrs. Rosenfeldt and Adam Kowalski to a smooth property developer and an American academic? And what is Meredith's son Terry up to? Not to mention the dottily Marxist sisters... Is this a recipe for murder?
π SIMILAR VOLUMES
Cover; Also by the Author; Title Page; Part I; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Chapter 9; Chapter 10; Chapter 11; Chapter 12; Chapter 13; Chapter 14; Chapter 15; Part II; Chapter 16; Chapter 17; Chapter 18; Chapter 19; Chapter 20; Chapter 21; C
Detective Kathy Kolla's first case is one for the books. Meredith Winterbottom, a resident of Jerusalem Lane--a quaint section of London inhabited by Eastern European immigrants--and a great-granddaughter of Karl Marx, is found dead. Was she the victim of greedy real-estate developers, or was she ki
Cover; Also by the Author; Title Page; Part I; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Chapter 9; Chapter 10; Chapter 11; Chapter 12; Chapter 13; Chapter 14; Chapter 15; Part II; Chapter 16; Chapter 17; Chapter 18; Chapter 19; Chapter 20; Chapter 21; C
Julia Peterkin pioneered in demonstrating the literary potential for serious depictions of the African American experience. Rejecting the prevailing sentimental stereotypes of her times, she portrayed her black characters with sympathy and understanding, endowing them with the full dimensions of hum
To the outside world, Electra D'Aplièse seems to be the woman with everything: as one of the world's top models, she is beautiful, rich and famous.Yet beneath the veneer, and fuelled by the pressure of the life she leads, Electra's already tenuous control over her state of mind has been rocked by th