Giller Prize–winner M. G. Vassanji gives us a powerfully emotional novel of love and loss, of an African/Indian man who returns to the town of his birth in search of the girl he once loved—and the sense of self that has always eluded him.
Kamal Punja is a physician who has lived in Canada for the past forty years, but whom we first meet in a Tanzanian hospital. He is delirious and says he has been poisoned with hallucinogens. But when Kamal finds a curious and sympathetic ear in a local publisher, his ravings begin to reveal a tale of extraordinary pathos, complexity, and mystery.
Raised by his African mother, deserted when he was four by his Indian father, married to a woman of Indian heritage, and the father of two wholly Westernized children, Kamal had reached a stage of both undreamed-of material success and disintegrating personal ties. Then, suddenly, he “stepped off the treadmill, allowed an old regret to awaken,” and set off to find the girl he had known as a child, to finally keep his promise to her that he would return.
The girl was Saida, granddaughter of a great, beloved Swahili poet. Kamal and Saida were constant companions—he teaching her English and arithmetic, she teaching him Arabic script and Swahili poetry—and in his child’s mind, she was his future wife. Until, when he was eleven, his mother sent him to the capital, Dar es Salaam, to live with his father’s relatives, to “become an Indian” and thus secure his future. Now Kamal is journeying back to the village he left, into the maze of his long-unresolved mixed-race identity and the nightmarish legacy of his broken promise to Saida.
At once dramatic, searching, and intelligent, The Magic of Saida moves deftly between the past and present, painting both an intimate picture of passion and betrayal and a broad canvas of political promise and failure in contemporary Africa. It is a timeless story—and a story very much of our own time.
Review
Amazon.ca - Best 100 Books of 2012
“The Magic of Saida is the sort of novel that, upon finishing, one wants to immediately read again, to examine, to study just how Vassanji works his narrative magic, and to allow oneself to savour it just that little bit longer. It’s simply baffling to me that such a book – that this book – appears on none of the major short lists this fall. It’s more than an oversight; it’s a crying shame.”
—*The Globe & Mail
_“A gripping narrative . . . . [Vassanji’s] material is so compelling that he needs little more than to adopt the role of a chronicler . . . . A humble village, in the imagination of this chronicler, becomes a vortex of varying belief systems and ways of life.”
_ —National Post
_“M.G. Vassanji’s new novel offers an experience as mysterious and haunting as hearing the sudden beat of drums in the middle of the night. . . . The seductive power of Vassanji’s prose mesmerizes. . . . One of Canada’s best novelists . . . . Vassanji’s new novel is darker and far more complex than any of his previous books.”
_ —Quill & Quire
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About the Author
M. G. Vassanji is the author of six previous novels: The Gunny Sack, which won a regional Commonwealth Writers’ Prize; No New Land; The Book of Secrets, which won the very first Giller Prize; Amriika; The In-Between World of Vikram Lall, which also received the Giller Prize; and, most recently, The Assassin’s Song. He is also the author of two short-story collections, a travel memoir about India, and a biography of Mordecai Richler. He lives in Toronto.