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Cover of The Ingenious Gentleman and Poet Federico García Lorca Ascends to Hell

The Ingenious Gentleman and Poet Federico García Lorca Ascends to Hell

✍ Scribed by Rojas, Carlos


Book ID
109930727
Publisher
Yale University Press
Year
2013
Tongue
English
Weight
155 KB
Category
Fiction
ISBN-13
9780300167764

No coin nor oath required. For personal study only.

✦ Synopsis


In Carlos Rojas's imaginative novel, the Spanish poet Federico García Lorca, murdered by Francoist rebels in August 1936, finds himself in an inferno that somehow resembles Breughel's Tower of Babel. He sits alone in a small theater in this private hell, viewing scenes from his own life performed over and over and over. Unexpectedly, two doppelgängers appear, one a middle-aged Lorca, the other an irascible octogenarian self, and the poet faces a nightmarish confusion of alternative identities and destinies.

Carlos Rojas uses a fantastic premise—García Lorca in hell—to reexamine the poet's life and speculate on alternatives to his tragic end. Rojas creates with a surrealist's eye and a moral philosopher's mind. He conjures a profoundly original world, and in so doing earns a place among such international peers as Gabriel García Márquez, Philip Roth, J. M. Coetzee, and José Saramago.
Number of Words in Auth: 2
Formats : EPUB
Number of Formats : 1
Has Cover : Yes
Single Author : Carlos Rojas
Original Source : Mirc New Files 03 22 B
Sorted Author by LN, FN: Rojas, Carlos
Title Length : 070
Title Parm D : The Ingenious Gentleman and Poet Federico García Lorca Ascends to Hell
Title Parm F : The Ingenious Gentleman and Poet Federico García Lorca Ascends to Hell
Num of Aut : 1
Title Parm B : (
Record ID : 5428
Uncomma Author : Carlos Rojas
Title Parm A : The Ingenious Gentleman and Poet Federico García Lorca Ascends to Hell


📜 SIMILAR VOLUMES


cover
✍ Rojas, Carlos 📂 Fiction 📅 2013 🏛 Yale University Press 🌐 English ⚖ 155 KB

In Carlos Rojas's imaginative novel, the Spanish poet Federico García Lorca, murdered by Francoist rebels in August 1936, finds himself in an inferno that somehow resembles Breughel's Tower of Babel. He sits alone in a small theater in this private hell, viewing scenes from his own life performed ov