Prince Myshkin, a good yet simple man, is out of place in the corrupt world created by Russia's ruling class.
The Idiot
โ Scribed by Fyodor Dostoyevsky
- Publisher
- Oxford University Press
- Year
- 2008
- Tongue
- English
- Weight
- 387 KB
- Edition
- [New. ed.]
- Category
- Fiction
No coin nor oath required. For personal study only.
โฆ Synopsis
SUMMARY: The Idiot (1868), written under the appalling personal circumstances Dostoevsky endured while travelling in Europe, not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most powerful indictment of a Russia struggling to emulate contemporary Europe while sinking under the weight of Western materialism. It is the portrait of nineteenth-century Russian society in which a "positively good man" clashes with the emptiness of a society that cannot accommodate his moral idealism. Meticulously faithful to the original, this new translation includes explanatory notes and a critical introduction by W.J. Leatherbarrow.
๐ SIMILAR VOLUMES
Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women, the notorious kept woman Nastasya and the pure Aglaia, both involed, in turn, with the corrupt, money-hungry Ganya.
SUMMARY: The Idiot (1868), written under the appalling personal circumstances Dostoevsky endured while travelling in Europe, not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most powerful indictment of a Russia struggling to emulate con
_The Idiot_ , by **Fyodor Dostoevsky** , is part of the _Barnes & Noble Classics_ __ series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable
*The Idiot* (1868), written under the appalling personal circumstances Dostoevsky endured while travelling in Europe, not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most powerful indictment of a Russia struggling to emulate contemporary