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Cover of The Hammer of Eden

The Hammer of Eden

โœ Scribed by Ken Follett


Publisher
Random House Digital, Inc.;Random House Publishing Group
Year
1998;2010
Tongue
English
Weight
247 KB
Category
Fiction

No coin nor oath required. For personal study only.

โœฆ Synopsis


The FBI doesn't believe it. The Governor wants the problem to disappear. But agent Judy Maddox knows the threat is real: an extreme group of eco-terrorists has the means and the know-how to set off a massive earthquake of epic proportions. For California, time is running out.

Now Maddox is scrambling to hunt down a petty criminal turned cult leader turned homicidal mastermind. Because Judy knows that the dying has already begun. And soon, the earth will violently shift, bolt, and shake down to its very core. . . .

From the Paperback edition.

Amazon.com Review

The tension ratchets up quickly in this abridged reading of Ken Follett's thriller. Actor Anthony Heald--a movie (__, ) and audiobook () veteran--uses a breathy, urgent delivery to spin the tale of ecoterrorist cultists and the unlikely heroes who must stop them before they hammer California with a major man-made earthquake. Follett has real contempt for his aging-hippie villains, which Heald gleefully communicates through lines of faux sagacity like, "Money makes you poor" and "Marriage is the greatest infidelity," and by having the head bad guy clear his conscience of a cold-blooded murder by reciting a nursery rhyme. (Running time: four hours, three cassettes) --Lou Schuler

From Publishers Weekly

After 20 years of writing bestselling novels, Follett is enough of a pro to produce a reliable page-turner from a flimsy premise?as he does here. His working out of how a rural, socially radical California commune moves not heaven but earth to stave off the loss of their land to a government dam and the ensuing flood is smartly paced if nearly devoid of inspiration. What distinguishes it is not the communards' weapon, a stolen seismic vibrator generally used by oil companies to sound for liquid gold but also handy for starting earthquakes. Nor is it the mechanical progression of the plot, as the radicals, calling themselves the Hammer of Eden, escalate threats and consequent quakes in order to blackmail the state into halting the dam until the finale finds them about to devastate San Francisco. Nor is it the by-the-book chase of the terrorists by a headstrong female FBI agent who might have walked onstage from any of a dozen other thrillers. What does?other than its efficient telling?raise the novel above mundanity is the depth of characterization of its villains, a Follett forte since his splendid debut in Eye of the Needle. Follett devotes many pages to backstory, creating in Priest, once a smalltime hood and now the commune's leader, in Star, his hippie earth-woman, and in Melanie, a bitter young beauty who throws in with the commune, fully realized outcasts, crazed and desperate idealists whose actions are as believable as they are heinous. All else in the novel, including the perfunctory prose, serve only to push the story quickly through its paces, but Follett's troupe of lost souls makes it dance to a memorable, mournful tune. Agent, Al Zuckerman; major ad/promo; simultaneous Random House audio and large-print edition.
Copyright 1998 Reed Business Information, Inc.


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