From Publishers Weekly
In his first novel in five years, Potok brings back the Hasidic artist hero of My Name Is Asher Lev . Now living in France, Asher is deeply disturbed by the reviews of his latest show, which criticize his paintings as facile self-imitation. When he learns of the death of his favorite uncle, he returns to Brooklyn with his family for a funeral reunion with fellow Ladover Hasids. In America, Asher is assailed by memories and surprises: his uncle had amassed important artworks, and Asher is made responsible for the collection. He also faces a crisis in his own work, and yet another dilemma when he realizes that his son Avrumel has a chance to inherit the mantle of the Ladover rabbi if the boy remains in Brooklyn under the the sect leader's special tutelage. Asher understands that because the religious community looks upon his art as the work of the devil, his professional survival depends on his remaining geographically outside of the world in which he was raised. Potok again provides an instructive look at the power of Hasidism, building dramatic tension in the pull between the sacred and the profane. The plot is bogged down by too many details of art techniques and wooden dialogue, however, and the story often lumbers earnestly on the way to its by-no-means-foregone conclusion. 75,000 first printing; BOMC alternate.
Copyright 1990 Reed Business Information, Inc.
From School Library Journal
When Asher Lev, an internationally famous painter, returns from exile in France to his native Brooklyn to attend his uncle's funeral, he begins a struggle with his own destiny. His son and daughter learn to know their grandparents, and his wife develops a loving relationship with his mother. But Asher knows he cannot remain in America, for his devotion to his family and his religious beliefs are pitted against his artistic survival. Potok is a master of words. His descriptive images of Jewish life and Lev's emotional turmoil are to be savored. However, his frequent references to events in his previous novels are often confusing and distracting. Any library containing Potok's works needs his latest effort to complete the collection, but most YAs will find this story too bland to hold their attention. --Katherine Fitch, Jefferson Sci-Tech, Alexandria, VA
Copyright 1990 Reed Business Information, Inc.