"Make [your] characters want something right away-even if it's only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time."--Kurt Vonnegut. '"The cat sat on the mat' is not the beginning of a story, but 'the cat sat on the dog's mat'
The fiction writer's guide to dialogue: a fresh look at an essential ingredient of the craft
✍ Scribed by John Hough
- Publisher
- Allworth Press
- Year
- 2014;2015
- Tongue
- English
- Weight
- 109 KB
- Category
- Fiction
- ISBN
- 1621534499
No coin nor oath required. For personal study only.
✦ Synopsis
Dialogue is often overlooked as a necessary and potent instrument in the novelist's repertoire. A novel can rise or fall on the strength of its dialogue. Superb dialogue can make a superb novel. F. Scott Fitzgerald wrote, “Action is character." George V. Higgins said, “Dialogue is character." They were both right, because dialogue is action. It comprises much, if not all, of the clarifying drama of any novel. How much physical action can there be in 300 pages, even in a crime novel or a thriller? And all conflict, even physical, begins as dialogue.
Hough explains how dialogue can reveal a character's nature as well as his or her defining impulses and emotions. He says there must be tension in every colloquy in fiction, and shows the reader ways to achieve it. Hough illustrates his precepts with examples from his own work and from that of the best modern writers of dialogue, including Cormac McCarthy, Kent Haruf, Joan Didion, Annie Proulx, Lee Smith, Elmore Leonard,...
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