Has the bad boy of the art world, Maxfield Caswell, been tamed just as his girlfriend, Avaโs star begins to shine? Anything can happen in Los Angeles, a world where heroes become villains and the rogue saves the day. An unexpected plane ticket leads our heroine to a meeting that will change h
The Expanding Art of Comics: Ten Modern Masterpieces
โ Scribed by Thierry Groensteen
- Book ID
- 100110707
- Publisher
- University Press of Mississippi
- Year
- 2017
- Tongue
- English
- Weight
- 4 MB
- Category
- Fiction
- ISBN
- 1496808029
No coin nor oath required. For personal study only.
โฆ Synopsis
Cover; Title Page; Copyright; Contents; Translator's Foreword; Introduction; Hugo Pratt, Ballad of the Salt Sea; Mลbius, Airtight Garage; Alan Moore and Dave Gibbons, Watchmen; David B., Epileptic; Alison Bechdel, Fun Home; Dominique Goblet, Pretending Is Lying; Shaun Tan, The Arrival; Craig Thompson, Habibi; Chris Ware, Building Stories; Jens Harder, The Grand Narrative: Alpha, Beta; Notes; Sources; Index.;"In The Expanding Art of Comics: Ten Modern Masterpieces, prominent scholar Thierry Groensteen offers a distinct perspective on important evolutions in comics since the 1960s through close readings of ten seminal works. He covers over half a century of comics production, sampling a single work from the sixties (Ballad of the Salt Sea by Hugo Pratt), seventies (The Airtight Garage of Jerry Cornelius by Moebius), eighties (Watchmen by Alan Moore and Dave Gibbons), and nineties (Epileptic by David B.). Then this remarkable critic, scholar, and author of The System of Comics and Comics and Narration delves into recent masterpieces, such as Building Stories by Chris Ware. Each of these books created an opening, achieved a breakthrough, offered a new narrative model, or took up an emerging tendency and perfected it. Groensteen recaptures the impact with which these works, each in its own way, broke with what had gone before. He regards comics as an expanding art, not only because groundbreaking works such as these are increasing in number, but also because it is an art that has only gradually become aware of its considerable potential and is unceasingly opening up new expressive terrain"--
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