The theme of inequality has often dominated academic criticism, which has been concerned with identifying, analyzing, and demystifying various regimes of power and the illicit hierarchies upon which they are built. Studies of the United States in the nineteenth century have followed this trend in fo
The Corporation in the Nineteenth-Century American Imagination
โ Scribed by Stefanie Meuller
- Publisher
- Edinburgh University Press
- Year
- 2022
- Tongue
- English
- Leaves
- 220
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
The first study of the representation of corporations in US law, literature, and culture
- Covers key topics in company law including the emergence of corporate personhood, the regulation of monopolies, the piercing of the corporate veil, agent-principal relationships and examines their literary and cultural manifestations
- Presents interdisciplinary readings of legal, literary and visual texts, including legal treatises, caricatures, novels, and magazine publications
- Draws on literary texts including Maria Amparo Ruiz de Burtonโs The Squatter and the Don, James Fenimore Cooperโs The Bravo, Frank Norrisโ The Octopus and Charles W. Chesnuttโs The Partners
- Draws on cases including Charles River Bridge v. Warren Bridge (1837), Munn v. The State of Illinois (1877) and Santa Clara County v. Southern Pacific Railroad (1886)
This book examines the way the corporation โ a legal concept of enduring and timely importance in the Anglo-American legal tradition โ was imagined in the nineteenth century historical imagination.
Stefanie Mueller traces the ways in which literary and cultural representations of the corporation in nineteenth-century America helped shift how the corporation was envisioned; from a public tool meant to serve the common good, to an instrument of private enterprise. She explores how artists and writers together with lawyers and economists represented this transformation through narrative and metaphor. Drawing on a range of legal, literary and visual texts, she shows how the corporationโs public origins as well as its fundamentally collective nature continued to be relevant much longer than previous scholarship has argued.
โฆ Table of Contents
Contents
Figures
Acknowledgments
Introduction: The Many and the One: Corporate Bodies and the Body Politic in US Law and Culture
1 Narrating Monopoly and Empire: Austin, Irving, and the Charles River Bridge Case
2 The Soulless Corporation: Cooper and the Decline of the Republic
3 Satanic Corporate Agents in the Marketplace: Hawthorne, Melville, De Forest, and the Uses of Allegory
4 Incorporating the Nation: Ruiz de Burton and โQuasi Publicโ Corporations
5 The End of Individualism: Tarbell, Norris, and the Power of Combinations
Conclusion: Frankenstein in a Gray Flannel Suit
Bibliography
Index
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