From Publishers Weekly
Abizarre May frost threatens Lucie Montgomery's Virginia winery operation in this highly enjoyable sequel to Crosby's The Merlot Murders (2006). After spending the night keeping her vines from freezing, the easily peeved Lucie is less than thrilled to find the pesticide-contaminated body of Georgia Greenwood, a local politician, at the edge of her fields. Lucie leaves the investigating to the police, but is dismayed when her close friend Ross, Georgia's husband, becomes a suspect. What's more, the EPA disapproves of her cavalier handling of pesticides, and her younger sister is on the brink of alcoholism. Crosby illustrates the tension between Virginia old money tradition and the less prosperous newcomers to one of the nation's fastest growing areas. Some plot twists and romantic tension add body, developing into a smooth finish. The unusual setting and Crosby's able prose more than make up for a whiny heroine. (Aug.)
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From
Making a go of the family's Virginia vineyard after her father's death (in The Merlot Murders, 2006) would be hard enough for amateur sleuth Lucie Montgomery, even without an occasional dead body turning up. First Georgia Greenwood, controversial aspiring politician and second wife of the local doctor, is found dead at the edge of the vineyard, disfigured by chemicals used on the vines; then the young man alleged to be her lover disappears. Lucie finds motives abounding among the locals as she seeks the truth, but she's also concerned about losing her brash but capable head winemaker, worried about her younger sister's binge drinking, and becoming involved with a rich Brit who wants to buy a vineyard. This second entry in Crosby's series is nicely plotted and paced until the too-abrupt ending, when a previously sensible if overinquisitive Lucie goes alone to confront the murderer. But what might otherwise be a pedestrian mystery stands out because of its Civil Warβbased local history and winemaking detail. A particular treat for oenophiles. Leber, Michele