From Publishers Weekly
A desperate expedition from a dying Earth, financed by middle-aged singer Bailey Shaw, finds hope and despair on an alien planet in this sedate sequel to Kenyon's Maximum Ice. Bailey's objective is to recover the genetic diversity Earth lost when a dark-matter cloud killed off a large percentage of the population. These precious DNA codes supposedly reside on a planet that closely resembles Earth. When Bailey and her crew arrive at their destination, however, they find their movements limited by the Dassa, a people who look human but lack human morals. In order to proceed with their search, the crew must first cozy up to Dassa King Vidori, who may have a secret agenda, and come to terms with some unsettling cultural differences. Most Dassa females, for instance, can reproduce only by swimming in ponds called varium, and those who are able to carry a baby inside their bodies are sterilized and forced into slavery. Kenyon's talent for creating complex cultures shines through in the Dassa's many beliefs and customs. Unfortunately, the cultural clash between humans and Dassa and the search for humanity's lost genetic heritage causes far less conflict than what one would expect. As a result, this plodding story fails to hold readers rapt, but its cultural richness may appeal to those with an interest in anthropology.
Copyright 2003 Reed Business Information, Inc.
From Booklist
Earth is covered with the odd construct called Ice (see Kenyon's Maximum Ice [BKL F 1 02]), and the starship Restoration , financed by a millionaire opera singer trying to atone for a secret sin, has responded to a mysterious call suggesting that what Earth lacks-- genetic diversity--can be found on a distant planet. By the time the ship arrives, its crew is desperately plague-stricken. Bailey Shaw exerts her financier's prerogative to choose the dying captain's replacement from two first-rate candidates--a process that makes the two bitter rivals. The Restoration 's destination is the home of the Dassa, who resemble humans but reproduce by such exotic means that the presence of humans threatens their cultural stability. After witnessing a Dassa girl's mutilation for being capable of bearing children the human way, new captain Anton thinks such cultural collapse might be acceptable. But friendship with a high-born Dassa woman leads him to appreciate her people. Kenyon's stark presentation of a profoundly foreign culture is as powerful and moving as Ursula K. LeGuin's in her similar stories. Roberta Johnson
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