On the day they first meet in a city playground, Deborah Laidlaw lends Toby Ruben a book called Trolley Girl , the memoir of a forgotten trolley strike in the 1920s, written by the sister of a fiery Jewish revolutionary who played an important, ultimately tragic role in the events. Young mothers with babies, Toby and Deborah become instant friends. It is a relationship that will endure for decadesβthrough the vagaries of marriage, career, and child-rearing, through heated discussions of politics, ethics, and lifeβuntil an insurmountable argument takes the two women down divergent paths. But in the aftermath of crisis and sorrow, it is a borrowed book, long set aside and forgotten, that will unite Toby and Deborah once again.
Amazon.com Review
As with so many contemporary classics of female friendship--and make no mistake, The Book Borrower joins the ranks--Alice Mattison's novel begins in a park with two young mothers minding their children. Toby Ruben and Deborah Laidlaw strike up a prickly, talky relationship when Deborah loans Toby a book, Trolley Girl. Toby is charmed by her new friend: after Deborah calls, she "felt that swirl in the throat, as when the teacher said hers was the best; and she was also troubled." She's equally charmed by the book, reading as she pushes her baby in his stroller, reading late into the night. Trolley Girl forms a narrative-within-the-narrative; we read it along with Toby. It is the memoir of a woman whose sister was killed in a 1921 trolley strike. A third sister, an anarchist rabble-rouser named Jessie, may or may not have been responsible for the death.
Ten years later, despite their problems, Deborah and Toby are still friends, still raising their families together. They may talk about Trolley Girl , but there seems to be little time for reading; instead, the two women teach classes, take classes, scold children. The novel leaps ahead another 10 years: The women's friendship comes to a tragic end. Just when Toby is at her lowest ebb of despair, who should appear in her (real) life but Jessie, the anarchist sister, who happens to live nearby. Jessie brings Toby an unexpected measure of comfort.
Alice Mattison's novel of friendship and history succeeds on so many levels it's almost dizzying. As a portrait of friendship it is difficult and true. As a diagram of loss it is exacting and rigorous. Yet the author has bigger goals here. Like Margaret Drabble in her later work, Mattison seeks to connect the bloody events of the world to the quiet lives of her characters. And, finally, she comes up with an allegory of reading itself: the character Jessie steps out of the pages of Trolley Girl to provide Toby with the solace she needs. So books daily come to our rescue. --Claire Dederer
From Publishers Weekly
The pleasures, intimacies, tensions and failures of female friendship frame this subtle, psychologically rich novel, which chronicles the volatile relationship between two women and highlights issues of loyalty, sacrifice and guilt. In brisk, energetic prose, Mattison (Hilda and Pearl) investigates the prickly territory between affection and unconscious jealousy, avowals of devotion and secret betrayals, commitment and selfishness. On the day in 1975 when they meet in a Boynton, Mass., playground with their respective young children, Deborah Laidlaw loans Toby Ruben Trolley Girl, a book about a tragic trolley-car accident that occurred in the town in 1920. Ample, embracing, generous Deborah is a Catholic earth mother. Ruben (she thinks of herself only by her surname) is a harder person, Brooklyn-born, rough-edged, subconsciously resentful, Jewish. Despite their apparent incompatibility and Ruben's competitive streak, the two women sustain a deep attachment over two decades, interrupted twice when Ruben causes Deborah grief (and her job) by denigrating her teaching ability (a profession they both share). But an essential affinity always draws them back together, and they debate existential questions in a quirky sort of verbal shorthand, until the day when Deborah declares to Ruben: "You have a kindness defect," and admits she's frightened of Ruben's harsh assessment of herself and others. Suddenly, Deborah's death in an auto accident and the reappearance of the book Ruben borrowed long ago (passages from which have been interspersed in the narrative) connect. Trolley Girl's protagonistAan unrepentant anarchist who caused the deadly accident when she was youngAturns out to be an elderly sculptor already entwined in Ruben's life. Through her, Ruben achieves insights into the insidious ways unconscious anger can undermine relationships. Mattison constructs her layered plot with the skill of a gem-setter, showing small facets of Ruben's growing understanding of her own failings as a friend and human being, and as she finally understands Deborah's legacy of tolerance and hope. Agent, Zoe Pagnamenta, Wylie. (Oct.)
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