✍ Scribed by Lisa Robertson
No coin nor oath required. For personal study only.
One morning, Hazel Brown awakes in a badly decorated hotel room to find that she's written the complete works of Charles Baudelaire. In her bemusement the hotel becomes every cheap room she ever stayed in during her youthful perambulations in 1980s Paris ... This is the legend of a she-dandy's life.
Part magical realism, part feminist ars poetica, part history of tailoring, part bibliophilic anthem, part love affair with nineteenth-century painting, The Baudelaire Fractal is poet and art writer Lisa Robertson's first novel. 'As far as I'm concerned, it's already a classic.' - Anne Boyer 'Robertson's debut novel, for those interested in the possibilities of fiction, is not to be missed.' - Publishers Weekly 'A new Lisa Robertson book is both a public event and a private kind of bacchanal.' - Los Angeles Review of Books
Adult Fiction
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One morning, the poet Hazel Brown wakes up in a strange hotel room to find that she's written the complete works of Charles Baudelaire. Surprising as this may be, it's no more surprising to Brown than the impossible journey she's taken to become the writer that she is. Animated by the spirit of the
“Todas as belezas contêm, assim como todos os fenômenos possíveis, algo de eterno e algo de transitório, de absoluto e de particular. A beleza absoluta e eterna inexiste, ou melhor, é apenas uma abstração empobrecida na superfície geral das diferentes belezas. O elemento particular de ca
« Baudelaire, qui réglait tout de même ses vers pour qu’ils provoquent un effet puissant, n’a rien de commun, dans sa retenue élégante, avec ce romanichel génial et pervers qu’était Paul Verlaine. C’est seulement dans les motifs les plus cachés que les racines de leurs natures entrent en contact : d
Si l'oeuvre éblouit, l'homme était détestable. Charles Baudelaire ne respectait rien, ne supportait aucune obligation envers qui que ce soit, déversait sur tous ceux qui l'approchaient les pires insanités. Drogué jusqu'à la moelle, dandy halluciné, il n'eut jamais d'autre ambition que de saisir cett
Roberto Calasso is one of the most original and acclaimed of writers on literature, art, culture and mythology. In _Baudelaire's Folly_ , Calasso turns his attention to the poets and writers of Paris in the nineteenth century who created what was later called 'the Modern.' His protagonist is Charles
"As the social and political turbulence of the Franco-Prussian War roils [1870 Paris], workers starve to death while aristocrats seek refuge in orgies and séances. The Parisians are trapped like rats in their beautiful city but a series of gruesome murders captures their fascination and distracts th