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The Asian Family in Literature and Film: Challenges and Contestations-South Asia, Southeast Asia and Asian Diaspora, Volume II

✍ Scribed by Bernard Wilson; Sharifah Aishah Osman


Publisher
Palgrave Macmillan
Year
2024
Tongue
English
Leaves
506
Series
Asia-Pacific and Literature in English
Category
Library

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✦ Synopsis


This book investigates the ways in which the family unit is now perceived in South and Southeast Asia and the Asian diaspora: its numerous conceptions and the changes it has undergone over the last century and into the new one. The prevailing threads that run through a significant part of the literature and cinema emerging from these societies are the challenges that confront those negotiating changing forms of family, changes which are expressed historically, politically, and socio-culturally, and often in relation to gender, ethnic, or economic imbalances. Though regional and localized in many ways, they are also very much universal in the questions they ask, the lessons they teach, and the connections they make. Theoretically, and in terms of focus, the collection offers a broad range, embracing representation and analysis from scholars across the globe and across disciplines. It assembles written and visual texts from and about India, Indonesia, Malaysia, The Philippines, Singapore, and the Asian diaspora. How have more fluid concepts of family in the late twentieth and early twenty-first centuries affected the understanding of family in Asia? How have families in Asia resisted or embraced change? How have they responded to trauma? What do other readings—gendered, feminist, queer, and diasporic—bring to modern debates surrounding family? To what extent are notions of family, community, society, and nation represented as interchangeable concepts in Asian societies? This book questions the power dynamics, ethical considerations, and moral imperatives that underpin families and societies within, and beyond, Asian borders.

✦ Table of Contents


Series Editor’s Preface
Foreword
Acknowledgements
A Note on Name Order
Contents
Notes on Contributors
List of Figures
Reimagining the Asian Family in the New Millennium: Continuity and Cohesion, Resistance and Reinvention in South Asia, Southeast Asia, and Asian Diaspora
The Family in South Asia and Southeast Asia
The Family in Asian Diaspora
Trauma, Resistance, and Resilience
Power and Obligation
The Female in Family
National Paradigms and Parameters
Diversity and Diaspora
Future Families
A Brief Conclusion
Notes
References
Trauma, Resistance, Resilience
“We’ve Been There, and We Made It Through”: Representations of Family Resilience in Contemporary Malaysian Youth Literature and Film
Introduction
Family Resilience: Background and the Malaysian Context
Grandmother’s Stories: “Unduk Ngadau”
Of Lines and Colours: Batik Girl
Conclusion
Note
References
Surrogacy and Motherhood in Neoliberal Times: Narratives of Developing India
Reproductive Technologies and Politics of Motherhood
Mothering or Fathering?
Bio-economies of Neoliberalism
New Global Families
Conclusion
Notes
References
Fractured Families and Poetics in Don Mee Choi’s DMZ Colony
Hardly History
Hardly Poetry
Hardly Family
Hardly Ending
References
Haunting Families: Postmemory and Transgenerational Trauma in Min Jin Lee’s Pachinko
Note
References
The Asian Anglophone Family Novel: Intergenerational Life Writing in Min Jin Lee’s Pachinko
Introduction
The Intersection of Life Writing and Oral History in Pachinko
The Family Novel
Intergenerationality as Hybridising Process
Conclusion
Notes
References
Power and Obligation
Unblessed Be Thy Milk: Filial Obedience, Repentance, and Forgiveness in Malay Popular Fiction
Introduction
“Strategising” Unblessed Be Thy Milk
Novels
Filial Obedience
Conclusion
References
Fatherhood and Precarity: Protective Fathers and Dysfunctional Families in Jeethu Joseph’s Drishyam and Contemporary Malayalam Cinema
Introduction
Protective Fatherhood in Malayalam Cinema: Anxieties and Ambitions
Fatherhood and Hegemonic Masculinity: Precarious Environments and Dysfunctional Families
Conclusion
Notes
Filmography
The Female in Family
Re-Orientalism in Asian American Film: Domesticity, Feminine Presence, and Masculine Absence
The Rise of Asian American Family Films and Re-Orientalism
The Recurring “Othering” of Asian American Families
Masculine Absence and Feminine Presence in Asian American Families
Conclusion
References
Not Just Another Woman in Love: Spotlighting the Eldest Daughter in Filipino Films About Migration
Introduction
Feminist Conceptions of Agency and Autonomy
Methodology
Romantic Relationships as Contested Spaces for Self-assertion and Pseudo-parenting
Reconfiguring Atehood as a Given and an Exercise of Relational Autonomy
Reimagining Futures Beyond the Ate
Concluding Notes
Films
National Paradigms and Parameters
Garin Nugroho’s Letter to an Angel: Challenging the New Order's Idealisation Concept of Indonesian Families
Introduction
The New Order and the Politics of the Family
The Family Discourse and the Schooling Process
Questioning the New Order Idealised Model of Family
Criticising the Schooling System
Criticising the Model of Family, Rejecting the Idea of Nation
Conclusion
Notes
References
When the Parents Play: A Deviant Family in the Face of Indonesian State Ibuism
The Indonesian New Order and Familial Obsession
Ecce Homo Luden, Lupus!
Never in the Full Spirit of Ibuism
Papi: Between Fatherhood and His Younger Self
Towards a Realistic Family
Notes
References
The Representation of the Filipino Family in Philippine Children’s Stories from 1990 to 2022
The Stories
Critical Content Analysis
The Filipino Family: A Profile
The Issues Faced by a Child in a Filipino Family
Personal Issues
Family Issues
Community Issues
How the Child Protagonist Is Situated in Family Narratives
The Ideology of the Filipino Family
Conclusion
References
Diversity and Diaspora
“A Tricky, Shifting Shoreline”: Family and Relation in Jia Qing Wilson-Yang’s Small Beauty
Introduction
Part One: Legibility and Community
Part Two: Retreat and Resistance
Conclusion
Notes
References
Family as/in Intercultural Performance in Ong Keng Sen’s Lear
Introduction
Reframing Affect Interculturally
Intergenerational Conflict: Mapping Transnational Relationships through Intercultural Practice
Conclusion
Notes
References
Family is as Family Does: Contesting the Discourse of Family in Su-Chen Christine Lim’s The Man Who Wore His Wife’s Sarong: Stories of the Unsung, Unsaid and Uncelebrated in Singapore
Family vs. Families
A Critical Framework: Being/Doing/Displaying Family
“Appearances Deceive”: Re-viewing and Re-knowing the Family in “Christmas Memories of a Chinese Stepfather”, “The Lies that Build a Marriage” and “The Man Who Wore His Wife’s Sarong”
Telling It as/to be a Family: Re-writing the Family
Telling Family Frames in “The Lies that Build a Marriage” and “The Man Who Wore His Wife’s Sarong”
Meta-display of Family in “Christmas Memories of a Chinese Stepfather”
Conclusion
Notes
References
Ethnic and Cultural Representation of the Malay and Malaysian Chinese in Malaysian Film: Kongsi Raya
Introduction
The Malays
The Malaysian Chinese Communities
The Malaysian Chinese Minority vs. The Malay Majority
The Malays and Malaysian Chinese in the Context of Modernisation Policy
The Making and Reception of Kongsi Raya
Malay as the Dominant Language Among Other Languages Used in the Film
The Representation of the Malay and Malaysian Chinese in the Film
Jack’s Family
Sharifah’s Family
Representations of Malaysian Diversified Ethnicities
The Role of Food in the Construction and Negotiation of Cultural Identity
Ethnic Stereotyping and Confusion
Religious Differences as the Barrier to Interethnic Relationships
Islamic and Confucianist Patriarchy Under the Modernisation Policy
Conclusion
Notes
References
A Place to Eat: Reading Food and Space in Asian American Early Readers
Consuming Texts: Asian American Early Readers
Eating in Public: The Lunchbox Moment
Domestic Eating: Kitchens and Dining Room Tables
Seeing Food as Resistance (Against a Whitewashed World)
Conclusion
References
Mixed-Teen Candles: Representations of Multiracial Asian American Students and Their Families After Long Duk Dong
Theoretical Framework
Sixteen Candles
Focal Series and Characters
“Very Clever Dinner”: Home and Family Relationships
“I Bet All the Boys Chase You Plenty in the School, Huh?”: School and Peer Relationships
Conclusion
References
Future Families
When Things Fall Apart, Can the Family Hold?: Family Versus Individuals in Minari
Contextualising Minari
Locating the “Paradoxical Community”
Tracing “Korean-ness” in the Parents
The Interstitial Space of Grandmother and Grandchildren
The “Third Space” in “Reality”
“Things Fall Apart”: The Centre Should Not Hold
References
The Asian Family in Posthuman Cinema: An Exploration of After Yang
Introduction
Posthumanism and Transformations in the Family
Posthuman Care
Values, Stereotypes, and Asianness
The Posthuman as Commodity?
Conclusion
Notes
Primary Sources Cited
From Chang E to Change: Unheimlich Homes and Defamiliarised Families in the Work of Ken Liu and Zen Cho
Unhoming the Family
Notes
References
Index


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