Amazon.com Review
Boston detective Jane Rizzoli hasn't completely recovered from the near-death experience at the hands of a serial killer (The Surgeon) that left her scarred and scared, but that doesn't keep her from going after a copycat murderer whose modus operandi is disturbingly familiar. Warren Hoyt may still be behind bars, but Jane thinks there's a connection between him and the man the police call the Dominator, based on the way this new fiend subdues and violates his victims before he kills them. Political interference from an FBI agent who seems to know more about the Dominator than anyone else only intensifies Jane's determination to solve the case. When Hoyt escapes from prison and teams up with his blood brother to take revenge on the policewoman who put him there, the pace of this truly frightening thriller picks up and drives the narrative to its violent conclusion. --Jane Adams
From Publishers Weekly
For the first time since she moved from mass market originals to hardcover (with 1996's Harvest), Gerritsen offers a sequel to last year's bestselling The Surgeon. It's a smart move, as in that novel this popular author introduced a terrific lead character, Jane Rizzoli, a female Boston homicide detective who rivals Patricia Cornwell's Kay Scarpetta for intensity and complexity. Her nemesis, serial killer Warren Hoyt, aka the Surgeon, whom Rizzoli sent to prison, returns here, too; that's not so terrific, as he's basically a Hannibal Lecter clone, though Gerritsen does pair him up this time with a second serial killer, known among cops as the Dominator. The discovery of the corpse of one of the Dominator's victims in a ritzy Boston suburb gets the action moving. Rizzoli notes connections between the Dominator's handiwork and that of Hoyt, and visits Hoyt behind bars. Eventually it's revealed that Hoyt and the Dominator have contacted one another by mail. Hoyt escapes and links up with the Dominator, and it's no surprise that Rizzoli is their number one target. The novel is suspenseful and stuffed with an encyclopedia's worth of tightly detailed forensic lore. Rizzoli gets a new love interest (Hoyt killed her last one, in The Surgeon), an FBI agent, which is handled with realism and subtlety, but her fuming at man's inhumanity to woman may grate on male readers. There are first-person italicized passages from Hoyt's point of view, a genre cliche, and at times the grisliness of the murders tends toward sensationalism. This strong thriller should sell very well, but it's not Gerritsen's best.
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