The American Love Lyric after Auschwitz and Hiroshima

✍ Scribed by Barbara L. Estrin (auth.)

• Publisher: Palgrave Macmillan US
• Year: 2001
• Tongue: English
• Leaves: 272
• Edition: 1
• Category: Library

✦ Synopsis

Citing the massive horrors of the Nazi death camps and the domestic violence behind a woman's suicide, Adrienne Rich challenges a fellow poet: 'would it relieve you to decide/Poetry doesn't make this happen?' In this provocative reassessment of the modern American love lyric, Barbara L. Estrin chronicles the return of three major American poets (Wallace Stevens in the late forties and fifties, Robert Lowell in the Seventies, and Adrienne Rich in the nineties) to the mid-century catastrophes that gave rise to such thorny questions. Through close readings of individual poems (and drawing upon the gender and genre theories of Jean François Lyotard, Judith Butler, Melanie Klien, and Jacques Lacan), Estrin counters the usual presuppositions that the lyric remains sequestered in a-political isolation, and offers a new, revisionist critique of American poetry.

✦ Table of Contents

Front Matter....Pages i-xviii
Introduction....Pages 1-18
Theorizing the Lyric....Pages 19-48
“Form Gulping after Formlessness”: Petrarch’s Resistant Lauras in Stevens’s “Auroras of Autumn”....Pages 49-72
“The Intricate Evasions of as”: History’s Duplicities in Stevens’s “An Ordinary Evening in New Haven”....Pages 73-104
“Infinite Mischief”: Robert Lowell’s Fiction of Desire in The Dolphin....Pages 105-128
“Solid with Yearning”: Lowelling and Laureling in Day by Day....Pages 129-152
Re-Versing the Past: Adrienne Rich’s Outrage against Order....Pages 153-176
“At Long Last First”: Adrienne Rich’s Dark Fields and Samuel Beckett’s Colorless Cliff....Pages 177-206
After-Words....Pages 207-222
Back Matter....Pages 223-253

✦ Subjects

Language Teaching; Twentieth-Century Literature