_Talking to the Dead_ is bestselling author Helen Dunmore's fourth novel. There's nothing closer than sisters . . . Unloved by their distant mother, Isabel and Nina cemented their bond in childhood when tragedy struck the family. Many yeas later, with the difficult birth of Isabel's first child,
Talking to the Dead
✍ Scribed by Bingham, Harry
- Book ID
- 107234254
- Publisher
- Delacorte Press
- Year
- 2012
- Tongue
- English
- Weight
- 304 KB
- Category
- Fiction
No coin nor oath required. For personal study only.
✦ Synopsis
A mesmerizing and thrilling novel—perfect for fans of Tana French and Stieg Larsson—that introduces a modern, unforgettable rookie cop whose past is as fascinating and as deadly as the crimes she investigates.
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SHE KNOWS WHAT IT’S LIKE. . . .
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At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy—and long dead—steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.
But D.C. Griffiths is no ordinary cop. She’s earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there’s that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.
Ignoring orders and protocol, Fiona begins to explore far beyond the rich man’s credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she’s only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks—not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.
From Booklist
When a prostitute and a young girl are found murdered in a run-down South Wales apartment building, police immediately place the blame on drugs. But when a dead millionaire’s credit card is found at the crime scene, Welsh Detective Constable Fiona Griffiths suspects something even more sinister afoot. Faced with cracking her first big case, the Cambridge-educated rookie cop must take care not to ruffle feathers as she pursues leads. Everyone on the squad knows she suffered a psychological breakdown years before joining the force, and her supervisors err on the side of caution when assigning her tasks. DC Griffiths may be battling demons, but she’s not going to let them win, proving herself more than worthy as she closes in on possible culprits, including a corrupt former cop who’s equal parts trouble and charm. She also finds a romantic diversion with a handsome blond colleague. In his American debut, British novelist Bingham renders a sympathetic heroine and a crackerjack mystery. Happily for readers, he’s already working on the next series installment. --Allison Block
Review
“The mystery-thriller genre is already so staffed with masterminds that it’s hard to make room for yet another. But along comes a book like Talking to the Dead, by Harry Bingham, and suddenly an unadvertised opening is filled….has the feel of something fresh and compelling. The best thing coming out of this gem of a crime story is the promise of another.” —Daily News
“The promising first installment in a new series, this book is so good it has you wondering who should play Fiona on the big screen.” —Kirkus Reviews (starred review)
“Fans of Stieg Larsson’s Lisbeth Salander will cotton to the heroine of British author Bingham’s highly entertaining U.S. debut….An insightful look at a damaged unusual woman trying to fit…enhance the brisk, realistic plot.” —Publishers Weekly (starred review)
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