<span>The Tactile Eye </span><span>expands on phenomenological analysis and film theory in its accessible and beautifully written exploration of the visceral connection between films and their viewers. Jennifer M. Barker argues that the experience of cinema can be understood as deeply tactileΒa sens
Tactile Eye: Touch and the Cinematic Experience
β Scribed by Jennifer M. Barker (editor)
- Publisher
- University of California Press
- Year
- 2009
- Tongue
- English
- Leaves
- 208
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
The Tactile Eye expands on phenomenological analysis and film theory in its accessible and beautifully written exploration of the visceral connection between films and their viewers. Jennifer M. Barker argues that the experience of cinema can be understood as deeply tactileβa sensuous exchange between film and viewer that goes beyond the visual and aural, gets beneath the skin, and reverberates in the body. Barker combines analysis of embodiment and phenomenological film theory to provide an expansive description of cinematic tactility. She considers feminist experimental film, early cinema, animation, and horror, as well as classic, modernist, and postmodern cinema; films from ten national cinemas; and work by Chuck Jones, Buster Keaton, the Quay Brothers, Satyajit Ray, Carolee Schneemann, and Tom Tykwer, among others.
β¦ Table of Contents
Contents
List of Illustrations
Acknowledgments
Introduction: Eye Contact
1. Skin
2. Musculature
3. Viscera
Conclusion: Inspiration
Notes
Bibliography
Index
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