Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning
Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics
β Scribed by Michael Betancourt
- Publisher
- Routledge
- Year
- 2017
- Tongue
- English
- Leaves
- 155
- Series
- Routledge Studies in Media Theory & Practice 2
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Table of Contents
Cover
Half Title
Title Page
Copyright Page
Table of Contents
List of Figures
Acknowledgments
Chapter 1: Introduction
The Development of Title Sequences
Primary Recognition
Emergent Identification
Notes
Chapter 2: Direct Synchronization
The Synchronized
Naturalistic Synchronization
Diegetic and Non-Diegetic Synchronization
Notes
Chapter 3: Natural Artifice
The βvisual Musicβ Heritage
The Ideology of Synchronization
Illustrative Synchronization
Notes
Chapter 4: Counterpoint
Reservations about the βTalkiesβ
Counterpoint Synchronization
Quotational Counterpoint
Notes
Chapter 5: Songs and Voice-Over
Music
Title Songs
Narrated Montages
Notes
Chapter 6: Conclusions
The Statement of Synchronization
The Immanence of Ideology
The Role of Music and Theme Songs
Notes
Index
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