In the wake of the many passionate responses to its predecessor, Studies in Medievalism 22 also addresses the role of corporations in medievalism. Amid the three opening essays, Amy S. Kaufman examines how three modern novelists have refracted contemporary corporate culture through an imagined and h
Studies in Medievalism XXI. Corporate Medievalism
β Scribed by Karl Fugelso (editor)
- Publisher
- D. S. Brewer
- Year
- 2012
- Tongue
- English
- Leaves
- 224
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Academia has never been immune to corporate culture, and despite the persistent association of medievalism with escapism, perhaps never has that been more obvious than at the present moment. The six essays that open the volume explore precisely how financial institutions have promoted, distorted, appropriated, resisted, and repudiated post-medieval interpretations of the middle ages. In the second part of the book, contributors explore medievalism in a variety of areas, juxtaposing specific case studies with broader investigations of the discipline's motives and methods; they include Charles Kingsley's racial Anglo-Saxonism, Jessie L. Weston's Sir Gawain and the treatment of women in medievalist film. The book also includes a spirited response to previous Studies in Medievalism volumes on the topic neomedievalism.
β¦ Table of Contents
Acknowledgments
Contents
Editorial Note β’ Karl Fugelso
I: Corporate Medievalism: Some Perspective(s)
Lives of Total Dedication? Medieval and Modern Corporate Identity β’ M. J. Toswell
Reincorporating the Medieval: Morality, Chivalry, and Honor in Post-Financial-Meltdown Corporate Revisionism β’ Kevin Moberly and Brent Moberly
Medievalism and Representations of Corporate Identity β’ KellyAnn Fitzpatrick and Jil Hanifan
Knights of the Ownership Society: Economic Inequality and Medievalist Film β’ Harry Brown
A Corporate Neo-Beowulf: Ready or Not, Here We Come β’ E. L. Risden
Unsettled Accounts: Corporate Culture and George R. R. Martinβs Fetish Medievalism β’ Lauryn S. Mayer
II: Interpretations
Historicizing Neumatic Notation: Medieval Neumes as Cultural Artifacts of Early Modern Times β’ Eduardo Henrik Aubert
Hereward the Dane and the English, But Not the Saxon: Kingsleyβs Racial Anglo-Saxonism β’ Michael R. Kightley
From Romance to Ritual: Jessie L. Westonβs Gawain β’ Helen Brookman
The Cinematic Sign of the Grail β’ J. RubΓ©n ValdΓ©s Miyares
Destructive Dominae: Women and Vengeance in Medievalist Films β’ Felice Lifshitz
III. Response
Neomedievalism Unplugged β’ Pamela Clements and Carol L. Robinson
Notes on Contributors
π SIMILAR VOLUMES
Essays examining the complex intertwining and effect of medievalism on modernity - and vice versa. The question of how modernity has influenced medievalism and how medievalism has influenced modernity is the theme of this volume. The opening essays examine the 2001 film 'Just Visiting's' comments on
This volume continues the theme of its predecessor, addressing how the Middle Ages have been invoked to score political points, particularly with reference to the rise of populism fueled by recent recessions and a pandemic. The nine essays in the first portion of the volume directly address politica
Essays on the use, and misuse, of the Middle Ages for political aims. Like its two immediate predecessors, this volume tackles the most pressing and contentious issue in medievalism studies: how the Middle Ages have been subsequently deployed for political ends. The six essays in the first section d
Essays on the post-modern reception and interpretation of the middle ages. This volume not only defines medievalism's margins, as well as its role in marginalizing other fields, ideas, people, places, and events, but also provides tools and models for exploring those issues and indicates new subject
<span>Essays on the post-modern reception and interpretation of the Middle Ages.<br><br>Though Studies in Medievalism has hosted many essays on gender, this is the first volume devoted specifically to that theme. The first part features four short essays that directly address manifestations of sexis