From Publishers Weekly
This collection from shock novelist Palahniuk (Choke; Lullaby) is an eye-opening look at the raw material that goes into Palahniuk's fiction, as well as proof that the novelist's art is derived from keen observation and recording of details. Often these are as grotesque as a closeup in a horror film (e.g., in talking to a group of wrestlers enduring Olympic tryouts, Palahniuk focuses on their injuries, both physical and emotional). Half the essays are magazine assignments and include insightful profiles of rock star Marilyn Manson, indie-movie queen Juliette Lewis and a high schooler who wants to explore space via a homemade rocket. Others offer the author's impressions of a demolition derby, the Rock Creek Lodge Testicle Festival and life aboard the USS Louisiana. Palahniuk often philosophizes, dwelling on the effects his fiction has had on "reality," especially the obsession his fans have had with his novel Fight Club. Palahniuk is fixated on the transformation of life's raw material into fiction and the writing process itself, which he sees as having the potential for self-fulfillment. (Incidentally, Brad Pitt, who played Fight Club's protagonist, emerges as Palahniuk's alter ego, and a number of the essays play on this theme, creating a patchwork memoir.) Palahniuk's fans will undoubtedly revel in the secrets the author reveals. Newcomers might initially feel queasy, but they're likely to warm up to his visceral prose and come to enjoy it.
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From Booklist
From Fight Club (1996) and the guys who fight for sport to Choke (2001) and a young man who might literally be the son of Jesus, Palahniuk's novels are consistently populated with extraordinary eccentrics. So it's no surprise that in this collection of previously published magazine pieces, he writes mostly of the bizarre. Palahniuk focuses on themes of solitude and community, on our need to feel simultaneously special and a part of something. He attends the Olympic wrestling trials, for instance, and examines why men endure cauliflower ear and debilitating injury to participate in a sport that no one watches or cares about. The personal essays (Palahniuk describes a romp through Seattle while wearing a dog costume, for instance) don't shine as much as the journalistic pieces, although fans will be interested to learn personal details about Chuck and his experiences with quasi celebrity. But the best narratives here-- particularly a lengthy one on Americans who build European-style castles--show Palahniuk's deep compassion for oddballs and misfits, a hard-boiled kindness for which his fans revere him. John Green
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