With those words, Lara's life turned upside down. Hunter, Earl of Hawksworth, had been lost at sea. Or so she'd been told. Their unhappy marriage--with its cold caresses and passionless kisses--was over. But now a powerful, virile man stood before her, telling secrets only a husband could know, and
Stranger In My Arms
โ Scribed by Kleypas, Lisa
- Book ID
- 108540398
- Publisher
- Avon
- Year
- 1998
- Tongue
- English
- Weight
- 163 KB
- Category
- Fiction
No coin nor oath required. For personal study only.
โฆ Synopsis
Amazon.com Review
One year after Lara thought her husband was dead in a shipwreck, he returns home to her. But is he really her husband or an impostor? Although the evidence is inconclusive, this new Hunter Hawksworth is very different, and much improved, from the first. Not given to introspection, Lara is willing to put her doubts aside for this man who embodies all her dreams, and desires her with a ruthless and seductive persistence that overcomes her considerable sexual fears. Inspired by the French movie The Return of Martin Guerre and the original court case on which it's based, this late-Regency historical romance, notable for its compelling sexual tension, spare but evocative dialogue, and deftly drawn characters, asks the intriguing question "Can you ever really know the man you love?" One of the superlative romances of the season. --Ellen Edwards
From Publishers Weekly
Lara, Lady Hawksworth, is sure her husband died in a shipwreck off the south Indian coast, but three years later someone answering to the name of Hunter, Lord Hawksworth, reappears. He's accepted by everyone save his uncle, who'd claimed the earldom in his absence, and Lara, who had hated being married to him. How Hunter wins Lara with his exquisite lovemaking and becomes a better husband than the man who left her is the heart of this sweetly sensual, character-driven Regency historical. Kleypas (Because You're Mine) doesn't give a lot of description so the prose sometimes clunks when she shoehorns facts (e.g., Lara's contemplation of a particularly popular shade of house paint) into her narrative and some phrases jar ("this springy, lean animality"). But for the most part her prose flows well, her dialogue is thankfully natural and she's again shown herself to be a cut above most in this popular genre.
Copyright 1998 Reed Business Information, Inc.
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