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Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis

โœ Scribed by Avra Sidiropoulou (editor)


Publisher
Routledge
Year
2022
Tongue
English
Leaves
277
Category
Library

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โœฆ Synopsis


Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis is an international collection of essays by leading academics, artists, writers, and curators examining ways in which the global tragedies of our century are being negotiated in current theatre practice.

In exploring the tragic in the fields of history and theory of theatre, the book approaches crisis through an understanding of the existential and political aspect of the tragic condition. Using an interdisciplinary perspective, it showcases theatre texts and productions that enter the public sphere, manifesting notably participatory, immersive, and documentary modes of expression to form a theatre of modern tragedy. The coexistence of scholarly essays with manifesto-like provocations, interviews, original plays, and diaries by theatre artists provides a rich and multifocal lens that allows readers to approach twenty-first-century theatre through historical and critical study, text and performance analysis, and creative processes. Of special value is the global scope of the collection, embracing forms of crisis theatre in many geographically diverse regions of both the East and the West.

Staging 21st Century Tragedies: Theatre, Politics, and Global Crisis will be of use and interest to academics and students of political theatre, applied theatre, theatre history, and theatre theory.

โœฆ Table of Contents


Cover
Half Title
Title
Copyright
Dedication
Table of Contents
List of Contributors
Acknowledgments
Introduction
PART 1 Crisis as Tragedy and Judgment
1 Tragedy and the Crisis of History: Staging Forced
Displacement and Its Reluctant Hero
2 Beyond Suffering or Resolution: Tragedy and the Twenty-First-Century Collective Experience
3 Prophets Needed: Five Easy Pieces and La Reprise: Histoire(s) du Theatre (I) by Milo Rau
Testimony 1.1 Avra Sidiropoulou in Conversation With Daniel Wetzel of Rimini Protokoll
Testimony 1.2 Cards of Identities (Poetic Luxury)
Testimony 1.3 Chorus and Crisis in the Contemporary United States
PART 2 Texts and Contexts of Crisis: Power/lessness, Precarity, and Identity Politics
4 Caesar Must (Not) Die. Italian Political โ€œCaesarsโ€ in the
New Millennium
5 Leaving the World Good or Leaving a Better World?: Theatre and Crisis Through the Lens of Bertolt Brecht
6 Tragic and Post-tragic Representations of Precarity in Twenty-First-Century U.S. Drama: Fractured Togetherness in Lynn Nottageโ€™s Sweat and Annie Bakerโ€™s The Flick
7 Modern African Drama in Crisis?: Two African Authors in Search of Identity
PART 3 Stage Narratives of Failure or Visions of a Better World? Bankrupt States, Violent Cities, Global Resistance, Civic Consciousness, and the Poetics of Participation
8 โ€œTheatre Remains Traditionalist and Eurocentricโ€: About Milo Rauโ€™s โ€œTheatre of Crisis"
9 โ€œHow Many More Thousands of Years?โ€: Dystopia,
Otherness, and the Greek Crisis in the Work of Three
Contemporary Greek Dramatists
10 Theatre as Assembly: โ€œTheatre Commonsโ€ Radical Dramaturgy
11 Marca Espaรฑa: Making Theatre From Precarity, State Violence, and Fiesta
Testimony 3.1 Aoidoi of a Countryโ€™s Living History
PART 4 Reflections on the Covid-19 Pandemic and the Crisis of the Anthropocene
12 For the Theatre of the Anthropocene
Testimony 4.1 Theatre in Covid Times: A Report From Greece
Testimony 4.2 All Is Related to Me
Testimony 4.3 Plays (We Never Staged) to Survive
Testimony 4.4 Troy Too
Index


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