Split Screen: Belgian Cinema and Cultural Identity

Split screen Korea : Shin Sang-ok and po

📁 Split screen Korea : Shin Sang-ok and postwar cinema

✍ Chung, Steven; Sin, Sang-ok 📂 Library 📅 2014 🏛 Univ Of Minnesota Press 🌐 English

<div> Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, including A Flower in Hell (1958) and Pulgasari (1985), and his career took him from late-colonial Korea to postwar So

Arab Cinema: History and Cultural Identi

📁 Arab Cinema: History and Cultural Identity

✍ Viola Shafik 📂 Library 📅 2007 🏛 American University in Cairo Press 🌐 English

Since it was first published in 1998, Viola Shafik's Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film and the contemporary Middle East. Combining detailed narrative history economic, ideological, and aesthetic with thought-provoking analysis, Arab Cine

Arab Cinema: History and Cultural Identi

📁 Arab Cinema: History and Cultural Identity

✍ Viola Shafik 📂 Library 📅 1998 🏛 American University in Cairo Press 🌐 English

Combining a detailed history-economic, ideological, and aesthetic-with in-depth analysis, this illustrated study provides extensive coverage of cinema in the Arab world. The book traces the industry's development from colonial times to the present, its ambiguous relationship with commercial western

Contemporary Peruvian Cinema: History, I

📁 Contemporary Peruvian Cinema: History, Identity and Violence on Screen

✍ Sarah Barrow 📂 Library 📅 2018 🏛 I.B. Tauris 🌐 English

The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path' left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us abou

Contemporary Peruvian Cinema: History, I

📁 Contemporary Peruvian Cinema: History, Identity and Violence on Screen

✍ Sarah Barrow (editor) 📂 Library 📅 2018 🏛 I.B.Tauris 🌐 English

The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path' left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us abou

The Besieged Ego: Doppelgangers and Spli

📁 The Besieged Ego: Doppelgangers and Split Identity Onscreen

✍ Caroline Ruddell 📂 Library 📅 2013 🏛 Edinburgh University Press 🌐 English

The Besieged Ego critically appraises the representation, or mediation, of identity in film and television through a thorough analysis of doppelgangers and split or fragmentary characters. The prevalence of non-autonomous characters in a wide variety of film and television examples calls into que

Split Screen: Belgian Cinema and Cultural Identity

✦ Synopsis