Spenser - 04 - Promised Land
โ Scribed by Robert B. Parker
- Book ID
- 100201537
- Publisher
- RosettaBooks
- Year
- 2002;2010
- Tongue
- English
- Weight
- 112 KB
- Edition
- 4
- Category
- Fiction
- ISBN
- 0795311869
No coin nor oath required. For personal study only.
โฆ Synopsis
Intro; Title Page; Copyright; Contents; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; Chapter 7; Chapter 8; Chapter 9; Chapter 10; Chapter 11; Chapter 12; Chapter 13; Chapter 14; Chapter 15; Chapter 16; Chapter 17; Chapter 18; Chapter 19; Chapter 20; Chapter 21; Chapter 22; Chapter 23; Chapter 24; Chapter 25; Chapter 26; Chapter 27; Chapter 28; Chapter 29;Spenser is a wisecracking former boxer turned private investigator and he is just settling into his new office when enters Harv Shepard, a beleaguered businessman who is looking for someone to help locate his runaway wife. So begins Promised Land, the fourth novel by Robert Parker, that follows the exploits of his cerebral but tough character, detective Spenser. Why Harv Shepard's wife abandoned her family and exactly where she has gone comprise only half the intrigue in this story, though Spenser soon discovers that Harv is a man in deep trouble, involved with a crooked loan shark and tangled in an ailing business venture. The real reason we keep turning the pages of Promised Land is because of the compelling figure cut by detective Spenser. The way in which he gets the information he gets about the case from police detectives, bartenders, and local thugs--Spenser's unique bracing blend of irony and sincerity that almost never encourages the people he encounters to really like him--is as interesting as the information he gets. Spenser is clever, often hilarious and his quips have something more than self-amusement as their end. Beneath the air of insouciant detachment and irony is a quixotic concern, as witnessed by his often self-sacrificing actions. The people Spenser meets often made predictable mistakes, falling into the same traps he has seen countless others fall into, and out of which they are mistakenly sure they can get out. Although he is weary of watching this pageant of human weakness and failure time and again, Spenser cannot help but become emotionally entangled in his cases, no matter how numbingly predictable they may be.
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