<p>The first edition of this book has enjoyed a gratifying existence. 1sยญ sued in 1965, it found its intended place as a research reference and as a graduate-Ievel text. Research laboratories and universities reported broad use. Published reviews-some twenty-five in number-were universally kind. Sub
Speech Analysis Synthesis and Perception
โ Scribed by James L. Flanagan (auth.)
- Publisher
- Springer Berlin Heidelberg
- Year
- 1965
- Tongue
- English
- Leaves
- 325
- Series
- Kommunikation und Kybernetik in Einzeldarstellungen 3
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Table of Contents
Front Matter....Pages I-VIII
Voice Communication....Pages 1-9
The Mechanism of Speech Production....Pages 9-21
Acoustical Properties of the Vocal System....Pages 21-75
The Ear and Hearing....Pages 75-118
Techniques for Speech Analysis....Pages 119-166
Speech Synthesis....Pages 166-209
Perception of Speech and Speech-Like Sounds....Pages 209-244
Systems for Analysis-Synthesis Telephony....Pages 244-291
Back Matter....Pages 291-317
โฆ Subjects
Science, general
๐ SIMILAR VOLUMES
All human speech has expression. It is part of the 'humanness' of speech, and is a quality listeners expect to find. Without expression, speech sounds lifeless and artificial. Remove expression, and what's left is the bare bones of the intended message, but none of the feelings which surround the me
This revised and updated third edition describes the nature of sound, how sound is analyzed by the auditory system, and the rules and principles governing our interpretation of auditory input. It covers many topics including sound and the auditory system, locating sound sources, the basis for loudne
This revised and updated third edition describes the nature of sound, how sound is analyzed by the auditory system, and the rules and principles governing our interpretation of auditory input. It covers many topics including sound and the auditory system, locating sound sources, the basis for loudne