Spectroscopic Study of Egyptian Blue Mixed with Other Pigments

✍ Scribed by M. Carmen Edreira; M. José Feliu; Concepción Fernández-Lorenzo; Joaquin Martín

• Book ID: 102253526
• Publisher: John Wiley and Sons
• Year: 2003
• Tongue: German
• Weight: 450 KB
• Volume: 86
• Category: Article
• ISSN: 0018-019X
• DOI: 10.1002/hlca.200390017

✦ Synopsis

Abstract

The Romans used a vast array of colors in their mural paints. The applied pigment mixtures containing Egyptian blue resulting in green, ochre, brown, gray, and white hues were studied. The chromatic characterization of wall paintings by electronic spectroscopy provided an easy and reliable procedure for the grouping of the samples to be studied (see Table). Subsequent use of other spectroscopic techniques such as Fourier‐transform (FT) IR and energy‐dispersive X‐ray spectroscopy (EDS), combined with X‐ray diffraction (XRD), led to convenient identification of the pictorial layer components that define and differentiate each chromatic group. Colors impossible to produce with only one pigment can be obtained by mixing Egyptian blue with other pigments. The dominant wavelength is displaced in such way that the artist obtains new tonalities.