In terms of visual impact, television has often been regarded as inferior to cinema. It has been characterised as sound-led and consumed by a distracted audience. Today, it is tempting to see the rise of HD television as ushering in a new era of spectacular television. Yet since its earliest days, t
Spectacular Television: Exploring Televisual Pleasure
โ Scribed by Helen Wheatley
- Publisher
- I.B. Tauris
- Year
- 2016
- Tongue
- English
- Leaves
- 290
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
Today, it is tempting to see the rise of HD television as ushering in a new era of spectacular television. Yet since its earliest days, the medium has been epitomised by spectacle and offered its viewers diverse forms of visual pleasure. Looking at the early promotion of television and the launch of colour broadcasting, Spectacular Television traces a history of television as spectacular attraction, from its launch to the contemporary age of surround sound, digital effects and HD screens. In focusing on the spectacle of nature, landscape, and even our own bodies on television via explorations of popular television dramas, documentary series and factual entertainment, and ambitious natural history television, Helen Wheatley answers the questions: what is televisual pleasure, and how has television defined its own brand of spectacular aesthetics?
โฆ Table of Contents
Cover
Author bio
Endorsement
Title page
Copyright information
Table of contents
List of Illustrations
Acknowledgements
Authorโs note
Introduction:What is spectacular television? What is (tele)visual pleasure?
The spectacular in audio-visual culture:Debates and problems
Categorising spectacular television:Genre, movement or mode?
Part I Spectacular Histories, Spectacular Technologies
1 Television comes to town: The spectacle of television at the mid-twentieth-century exhibition and beyond
The Festival of Britain
The spectacle of television production at the National Radio Show
The spectacle of domestic modernity at the Ideal Home Exhibition
The legacy of television at the exhibition
2 Spectacular colour? Reconsidering the launch of colour television in Britain
Chromophobia and the problem of colour
Setting up colour television and selling it
On the question of โspectacular colourโ vs โrealist colourโ
Making meaning or โlooking prettyโ
Part II Spectacular Landscapes and the Natural World: Exploring Beautiful Television
3 At home on safari: Colonial spectacle, domestic space and 1950s television
Colonial Kenya
Armand and Michaela Denis: At home on safari
4 Visual pleasure, natural history television and televisual beauty
Inserting natural history into the quality debate
Visual pleasure and public service broadcasting
Beautiful television
5 Televisionโs landscapes, (tele)visual pleasure and the imagined elsewhere
The landscape programme and the contemplative viewer
Holidays, the tourist gaze and the imagined elsewhere
Part III Spectacular Bodies and (Tele)visual Pleasure
6 Fascinating bodies: Looking inside televisionโs somatic spectacle
Gazing inside the body: Mysterious places and wild rides
Freak shows, fascinomas and the medical economy of spectacularising the televisual body
The dead and the dying: The limits of corporeal spectacle on television
7 The erotics of television
The proliferation of television sex
The proxemics of television โ televisual desire up close
Mapping female desire and the erotic spectacle of television
Intentional vs accidental erotic spectacle โ flows of televisual desire
Conclusion: Sites of wonder,sights of wonder
Notes
Introduction
1 Television comes to town
2 Spectacular colour? Reconsidering thelaunch of colour television in Britain
3 At home on safari
4 Visual pleasure, natural history televisionand televisual beauty
5 Televisionโs landscapes, (tele)visual pleasureand the imagined elsewhere
6 Fascinating bodies
7 The erotics of television
Conclusion
Bibliography
Index
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