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Cover of Skinny Island: More Tales of Manhattan

Skinny Island: More Tales of Manhattan

✍ Scribed by Auchincloss, Louis


Book ID
107806381
Publisher
St. Martin's
Year
1987
Tongue
English
Weight
123 KB
Category
Fiction
ISBN
0395432952

No coin nor oath required. For personal study only.

✦ Synopsis


It's only twelve miles long and two miles wide, but it has more money for its area, more history packed into its relatively brief settlement, and more emotional and intellectual energy coursing through its streets than any other place on earth. Manhattan is the setting for all of Louis Auchincloss's fiction, and it is the stage on which those New Yorkers whose roots go down to its bedrock play out the drama of their lives.
From the turn of the century to our present urban follies, these stories follow the fortunes of the socially secure and powerful as they try to cope with the changes shaped by the momentous events and growing anxieties of recent decades. Taken together, the tales weave a larger pattern of human strengths and foibles that bemuses the mind and touches the heart.
The elegant prose, crystalline dialogue, immense insight into the mores, preoccupations, and afflictions of the rich, and the connoisseur's sense of both art and life that are characteristic of Auchinclossβ€”all are here, but with a depth of passion and irony exceeding anything he has accomplished in the past.

From Publishers Weekly

Once again, Louis Auchincloss has raided the till of his social register to depict the travails of Manhattan's upper class. In 12 stories proceeding chronologically from the 1870s to the present, his protagonists try to accommodate themselves to the roles seemingly assigned them at birth. Few succeed. The robber baron of the first story is no more or less rapacious than the corporate raider of the last: 100 years of "progress" have merely taught the gently bred to meet defeat with increased grace and alacrity. Some of the book's women seem better able to forge their own destinies: one perseveres in her passion for avant-garde art despite the derision of family and friends; another, a widow whose children consign her to a life of baby-sitting and basket-weaving, instead forms a friendship with an effeminate but life-giving companion. Others seem only too willing to share their male partners' glum acceptance of the status quo, even when their golden chains limit both creativity and sexuality. Still, few give way to total despair. Their author has imbued them with a stubborn but lasting resilience that augers well for their continuing survivaland his, as their most inspired chronicler.
Copyright 1987 Reed Business Information, Inc.


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