<p>Stage fright has the power to drive actors away from the stage for months, years, and even a lifetime. It is a monster that can affect any actor at any time - but it is also a challenge that can be met.</p> <p>In Facing the Fear - the first book of its kind written specifically for actors - perfo
Singing on Stage: An Actorโs Guide
โ Scribed by Jane Streeton; Philip Raymond
- Publisher
- Bloomsbury Methuen Drama
- Year
- 2014
- Tongue
- English
- Leaves
- 173
- Series
- RADA Guides
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
Singing on stage can be a daunting prospect for actors, particularly for those who have not sung before. Yet singing should be an essential part of every actor's toolkit.
Singing on Stage: An Actor's Guide gives an insight for the first time into the vocal techniques and practical approaches that have been developed over generations as an integral part of the training at the Royal Academy of Dramatic Art. Jane Streeton and Philip Raymond are highly experienced performers and teachers; their book encourages each actor to explore their own authentic voice as opposed to offering a 'one-size-fits-all' or 'quick-fix' approach.
Written in an accessible, friendly and enabling style, Singing on Stage: An Actor's Guide is packed with exercises to develop the actor's skills and gives an overview of:
โข elements of technique
โข how to work on a song
โข the process of singing theatrically
โข how to choose the best songs for you
Featuring inspirational listening suggestions and the observations of successful performers and practitioners, Singing on Stage: An Actor's Guide is the must-have companion for complete beginners as well as for experienced actors who wish to develop their understanding of singing on stage.
โฆ Table of Contents
FC
Half Title
Title Page
Copyright
Contents
Dedication
Prelude
Introduction
1. A Short History of Singing at RADA
2. The Actorโs Way In
3. Bel Canto in Perspective
4. The Role of the Singing Teacher
5. The Role of the Student
6. Making a Plan โ The Contract
7. Fundamental Principles โ Posture and Breathing
8. Ways we Work with Actors โ Exercises
9. The Role of the Coach and the Accompanist
10. The Actorโs Solar System
11. Acting Through Song
12. Musical Form and Storytelling
13. Listening and the Voice as a Musical Instrument
14. An Approach to Vocal and Theatrical Styles
15. Some Stylistic Influences
16. Thoughts on Repertoire
17. Unaccompanied Singing
18. Practising and Taking the Reins
19. The Next Step โ Workshops, Masterclasses, Cabarets, Small Roles
20. Preparation for Auditions
21. Rehearsals and Performances
22. Troubleshooting
23. Miscellany
Conclusion
Coda
Bibliography
Index of Listening Suggestions
Photograph and Illustration Credits
Author Biographies
๐ SIMILAR VOLUMES
<p><span>The MAP: An Actor's Guide to On-Camera Acting</span><span> teaches on-camera acting in a practical and technical wayโhelping new actors understand the rules of on-camera acting as if they are learning a foreign language and applying that language to their acting skill set. The book gives ac
Now in its first American edition,<b>Playing Shakespeare</b><i></i>is the premier guide to understanding and appreciating the mastery of the worldโs greatest playwright.<br /><br />Together with Royal Shakespeare Company actorsโamong them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and
The camera enables us to see right into a characterโs soul, revealing their innermost thoughts and emotions. Screen acting requires a more rigorously truthful and spontaneous performance than the stage, as well as very different technical expertise. From Stage to Screen is a handbook for the profess
Competition for acting work is fierce, and although talent is important, actors need all the help they can get. Now in its fourth edition, this practical, comprehensive guide contains invaluable information and advice to enable actors to make the most of: drama schools; audition speeches and sight-r