<p>Tracing its origins back to Walt Whitman, the Modernist tradition in American poetry is driven by the same concern to engage with the world in revolutionary terms, inspired by the concept of democracy vital to the American dream. But this tradition is not confined to a few writers at the beginnin
Short Form American Poetry: The Modernist Tradition
โ Scribed by Will Montgomery
- Publisher
- Edinburgh University Press
- Year
- 2022
- Tongue
- English
- Leaves
- 235
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
A ground-breaking analysis of the short form lineage in twentieth-century American poetry
- Proposes a new genealogy of 20th century and contemporary American verse
- Contains in-depth discussion of key American poets and movements
- Will appeal to graduates and scholars in both the modernist and contemporary fields
Reading a century of American poetry through the prism of short form, this book analyses the centrality of an aesthetic of brevity to American modernist verse. It begins with Imagism and devotes chapters to William Carlos Williams, George Oppen, Lorine Niedecker, Robert Creeley, Larry Eigner, Robert Grenier and Rae Armantrout. Montgomery combines his larger argument, which takes issue with epic-driven narratives of Modernist poetry, with sensitive and original readings of numerous short and short-lined poems. Suggesting a reappraisal of key movements as objectivism, Black Mountain poetry and Language Writing, he opens new lines of discussion around the major poets of the period
๐ SIMILAR VOLUMES
First published in 1982, this book provides a descriptive and comparative study of some of the fundamental structural aspects of modernist poetic writing in English, French and German in the first decades of the twentieth century. The work concerns itself primarily with basic structural elements and
Interventions into Modernist Cultures is a comparative analysis of the cultural politics of modernist writing in the United States and Taiwan. Amie Elizabeth Parry argues that the two sites of modernism are linked by their representation or suppression of histories of U.S. imperialist expansion, Col