𝔖 Scriptorium
✦   LIBER   ✦

πŸ“

Shakespeare, Race and Performance: The Diverse Bard

✍ Scribed by Delia Jarrett-Macauley (ed.)


Publisher
Routledge
Year
2017
Tongue
English
Leaves
201
Category
Library

⬇  Acquire This Volume

No coin nor oath required. For personal study only.

✦ Synopsis


What does it mean to study Shakespeare within a multicultural society? And who has the power to transform Shakespeare?

The Diverse Bard explores how Shakespeare has been adapted by artists born on the margins of the Empire, and how actors of Asian and African-Caribbean origin are being cast by white mainstream directors. It examines how notions of 'race' define the contemporary British experience, including the demands of traditional theatre, and it looks at both the playtexts themselves and contemporary productions.

Editor Delia Jarrett-Macauley assembles a stunning collection of classic texts and new scholarship by leading critics and practitioners, to provide the first comprehensive critical and practical analysis of this field.

✦ Table of Contents


Introduction Delia Jarrett-Macauley

Part One: Shaping the Debate

  1. The Bard Abroad in Africa Eldred Duromi Jones

  2. Classical Binglish.

Binglish-A Jungli Approach to Multiculturalism Jatinder Verma

  1. Diversity -- Challenge and Gain Naseem Khan

  2. Ayanna Thompson in conversation with Dawn Monique Williams

Part Two: The Diverse Bard on Stage

  1. β€˜Why then the world’s mine oyster/Which I with sword will open’

Africa, diaspora, Shakespeare: Cross-cultural encounters on the global stage Michael Pearce

  1. Will we ever have a Black Desdemona? Inclusive Casting at the RSC Lynette Goddard

  2. Much Ado about Knotting: Arranged Marriages in British-Asian Shakespeare Productions Varsha Panjwani

  3. David Thacker and Bill Alexander: mainstream directors and the development of multicultural Shakespeare Jami Rogers

  4. Conversations with Black Actors Michael Macmillan

Part Three: The Creative Professionals

  1. 1960s Birmingham to 2012 Stratford-upon-Avon Iqbal Khan

  2. Dancing Since Strapped to their Mothers’ Backs: Movement Directing on the RSC’s African Julius Caesar Diane Alison-Mitchell

  3. Tropical Shakespeare Pat Cumper

Part Four: Changing Spaces, Changing Minds

  1. β€˜Souks, Saris and Shakespeare’ Sita Thomas

  2. Brave New Bard: Shakespeare and Intersectional Feminism in the British Classroom Terri Power

Index


πŸ“œ SIMILAR VOLUMES


The Great White Bard: Shakespeare, Race
✍ Farah Karim-Cooper πŸ“‚ Library πŸ“… 2023 πŸ› Simon and Schuster 🌐 English

'Insightful, passionate, piled with facts and has a warm, infectious love for theatre and Shakespeare running through every chapter' Adrian Lester, CBE 'Dive in and your whole cultural landscape will be refreshed and reframed' Adjoa Andoh 'Powerful and illuminating' James Shapiro, author of 1599: A

Marketing the Bard: Shakespeare in Perfo
✍ Don-John Dugas πŸ“‚ Library πŸ“… 2006 πŸ› University of Missouri 🌐 English

<div><P>To posterity, William Shakespeare may be the Bard of Avon, but to mid-seventeenth-century theatergoers he was just another dramatist. Yet barely a century later, he was England’s most popular playwright and a household name. In this intriguing study, Don-John Dugas explains how these changes

About Face: Performing Race in Fashion a
✍ Dorinne Kondo πŸ“‚ Library πŸ“… 1997 πŸ› Routledge 🌐 English

From the runways of Paris to the casting controversies over BMiss Saigon, from a local demonstration at the Claremont Colleges in California to the gender-blending of BM. Butterfly, BAbout Face examines representations of Asia and their reverberations in both Asia and Asian American lives. Japanese

Shakespeare, Performance and the Archive
✍ Barbara Hodgdon πŸ“‚ Library πŸ“… 2015 πŸ› Routledge 🌐 English

<i>Shakespeare, Performance and the Archive</i> is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance. An analysis of β€˜leftovers’, it moves between tracking the politics of what is consciously archived and the politics of visible