No more "Double, double, toil and trouble?"Now you can learn Shakespeare on the double!Macbeth has all the ingredients of a modern day bestseller-greed, ambition, murder, mayhem, madness, politics, assassinations, hallucinations, prophecies, spells, and rebellion. Potions and emotions simmer. One be
Shakespeare on screen : Macbeth
✍ Scribed by Nathalie Vienne-Guerrin (editor); Victoria Bladen (editor); Sarah Hatchuel (editor)
- Year
- 2014
- Tongue
- English
- Leaves
- 543
- Category
- Library
No coin nor oath required. For personal study only.
✦ Table of Contents
Contents
Preface
Phantom of the Cinema: Macbeth’s Ghosts in the Flesh
1. Textual sources
2. OrsonWelles,
3. Akira Kurosawa,
4. Roman Polanski,
5. Trevor Nunn,
6. Alexander Abela,
7. Vishal Bhardwaj,
8. Conclusion
Bibliography
“Instruments of Darkness”: Witches and the Supernatural in Four Versions of Macbeth1
Bibliography
Witches and Ghosts in Modern Times Lost? How to Negotiate the Supernatural in Modern Adaptations of Macbeth
1. Introduction: A busy decade for Macbeth
2. Teenagemutant witches in a Mad-Max wasteland
3. Angry young sluts in Melbourne underworld
4. Sickening nuns in godless tyranny
5. Conclusion: Foul is definitely fair
Bibliography
Macbeth’s Witches: Nurses,Waitresses, Feminists, Punk Gore Groupies
Bibliography
Weird Space in Macbeth on Screen
Weird Space as Natural Space
Natural or Supernatural
Weird Space as Peripheral Space
Weird Space as Inner Space
Weird Space as pervasive
Conclusion
Bibliography
“Look how our partner’s rapt”: Externalizing Rapture in Orson Welles’s Macbeth (, )
Bibliography
Symbolic and Thematic Impoverishment in Roman Polanski’s Macbeth
Bibliography
“Horrible imaginings”: Rupert Goold’s FilmAdaptation, a Macbeth for the Twenty-First Century1
Bibliography
Shakespeare in Mzansi
1. Entabeni: Macbeth as FilmNoir
2. Death of a Queen and South Africa’s Cultural Pasts
Bibliography
Claude Barma’s Macbeth (): Shakespeare and the Hybridity of the French “dramatique”
1. Macbeth on television: the book, the small screen and the big screen
1.1. Macbeth as “televised text”
1.2. Between theatre and cinema
2. Macbeth, an intimist tragedy or a political drama?
2.1. PerformingMacbeth “inside”: intimacy and subjectivity
2.2. A political Macbeth?
Credits
Actors:
With the voices of:
Presentation:
Bibliography
“. . . [M]ethought/ The wood began to move” (..-) or Whatever Happened to Witches and Woods in Akira Kurosawa’s Throne of Blood (), Alexander Abela’s Makibefo () and Mark Brozel’s Macbeth (): Film Style or the Poetics of Displacement
The jo or introduction
The hà or destruction: Witches, wizards. . . and ladies
Witches
Doing the deed: the seen and the unseen
The ghost sequence: fromthe visible to the invisible
The Kyù, or haste
Guilt andmadness
Whatever happened to Birnam
Conclusion. From visual narration to the visionary:
Time-image or showing beyond, the “cinema of a seer”
Bibliography
Fleance in the Final Scene of Macbeth: The Return of the Repressed
Bibliography
“A Barren Sceptre” (..): Generation, Generations, and Destiny in Maqbool and Global Adaptations of Macbeth
1. The Prophetic Bind
2. The Power of Prophecy in Global Adaptations of Macbeth
3. “A Fruitless Crown” (..): Fecundity and the Challenge to Destiny
Bibliography
Home Sweet Home: Visual Representation of Domestic Spaces in Macbeth
Macbeth and Gothic fiction
Gothic fiction and “the Gothic”
Castles (Welles, Polanski, Kurosawa)
Modern Spaces (Wright and Brozel)
Conclusion
Bibliography
Happily Never After? Women Filmmakers and the Tragedy of Macbeth
Gender and Genre
From Propaganda Film to Period Film
Macbeth as Docu-drama
Macbeth, The Comedy?
Macbeth Meets the Avant-garde
Macbeth as a Coming-of-Age Story
From Toil to Trouble
Bibliography
“Get a Look at Your Wife’s Beautiful Cones”: Lady Macbeth’s Stone Butch Blues and Rural Second-Wave Feminismin Scotland, PA
Galenic Medicine, Female Masculinity, and Lady Macbeth’s Transgenderism
Scotland, PA, Second-Wave Feminism, and Normative Gender in s rural North America
Bibliography
“Struts and frets”: Physical Eloquence in Vladimir Vasiliev’s Macbeth
Bibliography
Appendix: production details
Cast and crew
Act one
Act two
Macbeth in André Barsacq’s Le Rideau rouge (): Mise en Abyme and Acoustic Porousness
Bibliography
“Is this an umbrella which I see before me?”: Columbo goes to Scotland Yard1
1. Columbo: to be Macbeth
2. Columbo: not to be Macbeth
Bibliography
Art not without Ambition: Stardom, Selfhood and Laurence Olivier’s unmade Macbeth
The Shakespearean Star Text
Contemporary Star Discourses: The Oliviers and the Macbeth Screenplays
Autobiography and the Macbeth Screenplays
Bibliography
Filmography
Theatre Productions Cited
Macbeth on Screen: An Annotated Filmo-Bibliography
Abstracts
Notes on the Contributors
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<b>No more ''Double, double, toil and trouble?'' <p> <b>Now you can learn Shakespeare on the double! <p> Macbeth has all the ingredients of a modern day bestseller-greed, ambition, murder, mayhem, madness, politics, assassinations, hallucinations, prophecies, spells, and rebellion. Pot
<p>The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format.<p>Packed with act
207 p. : 28 cm
This volume offers a new introduction which provides a wide-ranging survey of criticism of "Macbeth" and four new essays. The new essays from Muriel Bradbrook, Malcolm Evans, Graham Holderness and Germaine Greer bring this edition up-to-date with current critical approaches. The essays are contribut