<p>This book shows how Shakespeareโs excellence as storyteller, wit and poet reflects the creative process of conceptual blending. Cognitive theory provides a wealth of new ideas that illuminate Shakespeare, even as he illuminates them, and the theory of blending, or conceptual integration, striking
Shakespeare and Creative Criticism
โ Scribed by Rob Conkie (editor); Scott Maisano (editor)
- Publisher
- Berghahn Books
- Year
- 2019
- Tongue
- English
- Leaves
- 196
- Series
- Shakespeare &; 4
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Synopsis
What kinds of critical insights are made possible only or especially via creative strategies? This volume examines how creative modes of writing might facilitate or inform new ways to critically engage with Shakespeare. Creative writing, demonstrated in a series of essays, reflections, stories and scenes, operates as a vehicle for exploring and articulating critical and theoretical ideas. In doing so, Shakespeareโs enduring creative and critical appeal is newly understood and critiqued.
โฆ Table of Contents
Contents
List of Illustrations
Introduction . Creative Critical Shakespeares
Chapter 1 . Responses to Responses to Shakespeareโs Sonnets
Chapter 2 . Exit, pursued by a fan
Chapter 3 . A Merry Midsummer Labor Merchantโs Tempest in King Beatriceโs Verona
Chapter 4 . Pickled Red Herring
Chapter 5 . Enter Nurse, or Loveโs Labourโs Won
Chapter 6 . Echo and Narcissus, or Man O Man!
Chapter 7 . The Fair Maid of Alexandria, or The Glass Tower
Chapter 8 . A Tragedy of the Plantation of Virginia
Chapter 9 . Othello, Original Practices
Index
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