โ Scribed by Ian Rankin
No coin nor oath required. For personal study only.
Edinburgh police inspector John Rebus's obsession--rock & roll--seems odd for a man whose dark, depressed side is so central to his character, but Ian Rankin always manages to work it gracefully into his noirish novels featuring Rebus. In Set in Darkness, Rebus has a fling with Lorna Grieve, a faded rock muse who's the sister of Roddy Grieve, an up-and-coming politico who turns up dead on the grounds of the boarded-up hospital that's being torn down to make way for the new Scottish Parliament. Grieve's body is the second in the space of days found at Queensberry House; the first was a skeleton bricked up in the fireplace. That decades-old murder seems to be tied to the suicide of a mysterious homeless man whose hefty bank balance is revealed well before his true identity.
'So what's the story with Mr Supertramp anyway?'
'He had all this money he either couldn't spend or didn't want to. He took on a new identity. My theory is that he was hiding.'
'Maybe.' He was rifling through the scraps on the desk. She folded her arms, gave him a hard look which he failed to notice. He opened the bread bag and shook out the contents: disposable razor, a sliver of soap, toothbrush. 'An organized mind,' he said. 'Makes himself a wash bag. Doesn't like being dirty.'
'It's like he was acting the part,' she said.
There are always plenty of subplots in a Rankin mystery. This time he adds a stalker who happens to be one of Rebus's colleagues, a couple of toughs who hang out in singles clubs and finish their evenings with a rape or two, and the ongoing story of Rebus's tortured past--a bitter divorce, a daughter still recovering from a terrible accident, and a drinking problem. Set in Darkness hit the bestseller list in Great Britain and should enjoy the same success in its U.S. edition. Rankin's ability to keep finding new dimensions in Rebus, handle intricate plot details brilliantly, and evoke the gloom and darkness of his setting keep winning him new admirers, with just cause. --Jane Adams
In the 12th novel in the increasingly engaging Inspector Rebus series (Knots and Crosses; Dead Souls; etc.), Gold Dagger award-winner Rankin has woven a plot grittier and tighter than ever. When a body, long dead, is found on the site of the new Scottish Parliament and is soon followed by another, fresher kill, this time that of a leading candidate for the new governing body, Rebus is convinced of a connection between the two. Det. Siobhan Clarke witnesses a third death, the suicide of a surprisingly wealthy homeless man; the question of where his wealth came from seems related to the other deaths. Clarke, a determined young woman trying to make her way in the male world of police work, is a refreshing, complex addition to this series. Meanwhile, Big Ger Cafferty, arch foe of our hero, has been released from jail; he's terminally ill (or is he?) and apparently wants some quality time with Rebus in his final hours. By incorporating other strong characters, Rankin has saved the series from burrowing too far into the maudlin introspection associated with Rebus's drinking problem. Topical Scottish nationalism and the new Parliament, along with Rankin's consistently fascinating view of Edinburgh's seedy side, give the novel interest beyond its plot. And the plot is worthy of the series: raging and racing and teetering on the edge of falling apart, before Rankin slams the reader with a final masterful twist. (Nov.)
Copyright 2000 Reed Business Information, Inc.
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