<p>Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of We
Screen/Play. Derrida and Film Theory
β Scribed by Peter Brunette, David Wills
- Publisher
- Princeton University Press
- Year
- 1989
- Tongue
- English
- Leaves
- 218
- Category
- Library
No coin nor oath required. For personal study only.
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<p>Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of We
<span><p>Characters are central to our experiences of screened fictions and invite a host of questions. The contributors to <i>Screening Character</i>s draw on archival material, interviews, philosophical inquiry, and conceptual analysis in order to give new, thought-provoking answers to these queri
<h4>Winner of the R. H. Gapper Book Prize 2011</h4> <p>Judith Still sets Derrida's work in a series of contexts including the socio-political history of France, especially in relation to Algeria, and his relationship to other writers, most importantly Hélène Cixous, Luce Irigaray and Emmanuel Levina
Winner of the R. H. Gapper Book Prize 2011. Judith Still sets Derrida's work in a series of contexts including the socio-political history of France, especially in relation to Algeria, and his relationship to other writers, most importantly Hélène Cixous, Luce Irigaray and Emmanuel Levinas - key thi