Scenography Expanded is a foundational text offering readers a thorough introduction to contemporary performance design, both in and beyond the theatre. It examines the potential of the visual, spatial, technological, material and environmental aspects of performance to shape performative encounters
Scenography Expanded: An Introduction to Contemporary Performance Design
β Scribed by Joslin McKinney (editor), Scott Palmer (editor)
- Publisher
- Methuen Drama
- Year
- 2017
- Tongue
- English
- Leaves
- 251
- Series
- Performance and Design
- Edition
- 2
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Scenography Expanded is a foundational text offering readers a thorough introduction to contemporary performance design, both in and beyond the theatre. It examines the potential of the visual, spatial, technological, material and environmental aspects of performance to shape performative encounters. It analyses examples of scenography as sites of imaginative exchange and transformative experience and it discusses the social, political and ethical dimensions of performance design. The international range of contributors and case studies provide clear perspectives on why scenographic design has become a central consideration for performance makers today.
The extended introduction defines the characteristics of 21st-century scenography and examines the scope and potentials of this new field. Across five sections, the volume provides examples and case studies which richly illustrate the scope of contemporary scenographic practice and which analyse the various ways in which it is used in global cultural contexts. These include mainstream theatre practice, experimental theatre, installation and live art, performance in the city, large-scale events and popular entertainments, and performances by and for specific communities.
β¦ Table of Contents
Contents
List of Illustrations
Contributors
Foreword β’ Arnold Aronson
Acknowledgements
Introducing βExpandedβ Scenography β’ Joslin McKinney and Scott Palmer
Part One: Technological Space
1 βDevices of Wonderβ: Globalizing Technologies in the Process of Scenography β’ Christopher Baugh
2 Scenographic Screen Space: Bearing Witness and Performing Resistance β’ Dorita Hannah
Part Two: Architectural Space
3 Between Symbolic Representation and New Critical Realism: Architecture as Scenography and Scenography as Architecture β’ Thea Brejzek
4 City as Site: Street Performance and Site Permeability during the Festival Internacional Teatro a Mil, Chile, 2012β2015 β’ Marcela OteΓza
Part Three: Agency
5 Scenography Matters: Performing Romani Identities as Strategy and Critique β’ Ethel Brooks and Jane Collins
6 Scenographic Agency: A Showing-Doing and a Responsibility for Showing-Doing β’ Kathleen Irwin
7 Thinking That Matters: Towards a Post-Anthropocentric Approach to Performance Design β’ Maaike Bleeker
Part Four: Audiences
8 Audience Immersion, Mindfulness and the Experience of Scenography β’ David Shearing
9 Cognitive Approaches to Performance Design, or How the Dead Materialize and Other Spectacular Design Solutions β’ Stephen Di Benedetto
Part FIive: Materials
10 The Matter of Water: Bodily Experience of Scenography in Contemporary Spectacle β’ NebojΕ‘a TabaΔki
11 Ecologies of Autism: Vibrant Space in Imagining Autism β’ Melissa Trimingham
References
Index
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