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ROOM ACOUSTIC CONDITIONS OF PERFORMERS IN AN OLD OPERA HOUSE

✍ Scribed by GINO IANNACE; CARMINE IANNIELLO; LUIGI MAFFEI; ROSARIO ROMANO


Publisher
Elsevier Science
Year
2000
Tongue
English
Weight
178 KB
Volume
232
Category
Article
ISSN
0022-460X

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✦ Synopsis


Proposed objective criteria related to the acoustic conditions for instrumentalists and singers have not received a su$ciently wide consent yet. In spite of this situation, it is the opinion of the authors that the measurement of existing criteria is useful for analysis and comparison. This paper reports the results of various acoustic measurements carried out in the Teatro di San Carlo, Naples-Italy, with the aim of obtaining objective information about its acoustics for performers. A "rst set of measurements was carried out when the theater was "tted for a symphonic concert and a second one when it was "tted for an opera performance.


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✍ G. IANNACE; C. IANNIELLO; L. MAFFEI; R. ROMANO 📂 Article 📅 2000 🏛 Elsevier Science 🌐 English ⚖ 343 KB

The Teatro di San Carlo (Naples\*Italy) is known to be the oldest working theatre in Europe. Since its opening on 4 November 1737 (41 years before the opening of La Scala in Milan and 51 years before the opening of La Fenice in Venice) a number of famous singers, musicians, conductors, and other art