✍ Scribed by Robert Silverberg
No coin nor oath required. For personal study only.
In Hugo and Nebula winner Silverberg's epic alternative history, as grandly sweeping and imaginative as his celebrated Majipoor Cycle (Lord Valentine's Castle, etc.), the imperial Eternal City (aka Roma) takes 2,000 years to decline but not quite fall. Starting with a scholar's recollection of a failed Hebrew exodus from Egypt centuries earlier, this unusually moving novel depicts 10 crucial historical moments, each centering on the personality of a fictional emperor seen through the eyes of an engaging lesser figure, like an imperial bureaucrat, a luscious and wealthy widow, a brave legionary commander, a conscientious architect, a hunky son of a Celtic chieftain, or even barbarian children who unwittingly bring down the last emperor. Silverberg seamlessly interpolates glimpses of Rome's real history in this handsomely crafted fiction, whether looking back to the ideals of the ancient Republic-duty, honor, country-or inventing a captivating cast of might-have-beens. He unifies his narrative with unusual but convincing historical theory: that Roma's vaunted religious tolerance, in turning the sacred into a mere instrument of governance, had sown the seeds of revolution-a spiritual and intellectual upheaval that here leads the children of Israel to a second and glorious trek to the stars. Guided by the sure hand of an old master, these many roads lead to a fascinating city of multitudinous souls.
Copyright 2003 Reed Business Information, Inc.
Silverberg's magisterial alternate history is likely the coda to his ongoing exploration of a Roman empire that survived in some form to a time contemporary with our world's present. The turning point in his version reflects Gibbon's view that Christianity undermined the later empire, though Silverberg disposes of Christianity long before its this-world birth by preventing the Jews' escape from Egypt. (He also eliminates Muhammad and Islam.) His development includes a good many realistic features, such as fairly constant tension, sometimes erupting in warfare, between Greek and Latin cultures within the empire. He also plays dating games for the historically literate with a calendar reckoned from the founding of the city in our 753 B.C.E. Inevitably, the book reads like a squadron of short stories flying in close formation (in fact, many parts of it have been published as individual short pieces). They are very good stories, though, full of Silverberg's seasoned expertise in historiography, characterization, and world building, and they offer something to satisfy most readers' tastes. Roland Green
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