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Cover of Rigadoon (Ralph Manheim Translation)

Rigadoon (Ralph Manheim Translation)

✍ Scribed by Louis-Ferdinand Céline


Publisher
Dalkey Archive
Year
1969
Tongue
English
Weight
248 KB
Series
Exile Trilogy 03
Edition
Delacorte Press (1974)
Category
Fiction
ISBN
0440073642

No coin nor oath required. For personal study only.

✦ Synopsis


{ Sept 2021 - Verified ebook for complete book description, cover image, table of contents, separation of book (front/ back matter, parts, and chapters), and epub format error checking. }
Hardcover, 273 pages
Published 1969
Delacorte Press (1974)
Translated by: Ralph Manheim (1974)
The third of a trilogy, the title of the first being North, and that of the second Castle to castle.
Often comic and always angry, the first-person autobiographical narrator, with his wife and their cat in tow, takes the reader with him on his flight from Paris to Denmark after finding himself on the losing side of World War II. The train rides that encompass the novel are filled with madness and mercy, as a physician, aids refugees while ignoring his own medical needs.
Céline's inventive style and black humor profoundly influenced many writers who came after him, including Kurt Vonnegut, Jack Kerouac, William Burroughs, Allen Ginsberg and Charles Bukowski. As Kurt Vonnegut states in his introduction to this edition, "Céline demonstrated that perhaps half of all experience, the animal half, had been concealed by good manners. No honest writer or speaker will ever want to be polite again."
Céline quite deliberately makes us feel the inescapable, mind-rotting horror of endless chaos, the fact of war as Americans have never known it. (Washington Post Book World )
Céline's explosive language and style is the very sign of his experience: its full impact explodes, as if by delayed reaction, before the eyes, and in the consciousness, of author, narrator, and reader alike. (Times Literary Supplement )
Lit with a flash of frighteningly lucid prophecy, and seen to be nothing less than the doom of the human race. . . . But what is oddest of all about Rigadoon, and what distinguishes it from Céline's other work, is its sense of peace, almost of consummation, at the sight of a Europe in rubble and flames. (The New York Times Book Review )
More than most modern authors, [Céline is] able to plunge directly into the burning center, where Europe, in rage and anguish, is tearing itself apart. In so doing, he captures the heat and energy of he final holocaust better than almost anyone. (The Nation )
Manheim’s translation succeeds in capturing the powerful immediacy of Céline’s prose. (Library Journal )


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