Amazon.com Review
In this sequel to Pronto , Harry Arno has retired from bookmaking but is still closing out some of his outstanding debts. But then his collection agent, an ex-con by the name of Bobby Deo, goes to pick up $1,800 from Chip Ganz and ends up getting hired for a hostage-taking operation (like kidnapping "in a way," Chip tells him, "only different. A lot different.") When Harry's taken by his own man, it's up to United States Marshal Raylan Givens to track him down, in the same methodically relentless fashion he tracked Harry that time he ran off to Italy. Throw in a henchman named Louis Lewis with plans of his own and an attractive young psychic named Reverend Dawn, and you've got yet another crime story that'll keep you on the edge of your seat--occasionally chuckling to yourself--straight through to the finish. (And bonus points to loyal Leonard fans who can spot the crossover elements from Rum Punch and Maximum Bob.) --Ron Hogan
From Publishers Weekly
Simple scams usually turn complex in Leonard land, where the author can doubtless choreograph his scammers' moves in his sleep by now; indeed, much of Rap appears to be riding on automatic pilot. Nevertheless, even middling Leonard is as good as anyone else gets on a good day. This darkly witty page-turner returns to the vexed, triangular relationship of Florida marshal Raylan Givens, his girlfriend, Joyce, and her ex-lover, the aging bookie Harry Arno (all seen previously in Pronto). When Harry disappears while chasing down a tardy debtor named Chip Ganz, Joyce admonishes Raylan to investigate. It turns out Chip is a middle-aged pothead living in his mother's seedy beach mansion, whose stoned analysis of televised hostage situations has fueled a baroque kidnapping scheme, into which Harry has stumbled. Like many a Leonard bad guy, Ganz only talks a good game. It falls upon an ex-con and his preening psychotic cohort to execute the caper, with help from an alluring psychic. Raylan's probe takes him into a shadowy New Age subculture of Tarot readings and Hugger conventions, which Leonard limns with characteristic grit and black humor. Ultimately, however, the story lacks the high voltage of Leonard's best work.
Copyright 1995 Reed Business Information, Inc.