## Abstract This article describes how two African American young adults engage in learning and activism in their Harlem community through employment of art forms. Observations on the reversal of learningโfrom adults to young people in classrooms and young people to adults in the communityโare crit
Representations of birds in Minoan art
โ Scribed by Marco Masseti
- Publisher
- John Wiley and Sons
- Year
- 1997
- Tongue
- English
- Weight
- 450 KB
- Volume
- 7
- Category
- Article
- ISSN
- 1047-482X
No coin nor oath required. For personal study only.
โฆ Synopsis
During the second millennium BC, the Minoan civilization was established in the southern Aegean Sea. In Minoan art, especially on Crete, birds occupied a prominent place, and were often represented in wall-paintings and craft objects. Species still occurring on the island, such as cormorants, mallards, cuckoos, owls, hoopoes, and swallows, as well as exotic taxa such as partridges and possible domestic forms such as pigeons, were the subject of artistic inspiration, and they were depicted not only in purely cult contexts, but also in the backgrounds of naturalistic landscapes. The aim of this paper is to reconsider the identiยฎcation of some of the birds depicted and to discuss them in the context of the environmental conditions and osteological ยฎnds from the southern Aegean islands in Minoan times.
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