Repeat Printed Pattern for Interiors
β Scribed by Kate Farley
- Publisher
- Bloomsbury Visual Arts
- Year
- 2023
- Tongue
- English
- Leaves
- 233
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Repeating patterns can soothe or energize us, bringing joy and harmony to everyday life. Repeat Printed Pattern for Interiors explores the power repeat patterns hold over us and what goes into creating original, effective printed designs. Beginning with the history of patterns in interior design, Kate Farley uncovers lessons from the work of Owen Jones, William Morris, Collier Campbell and Josef Frank.
There are also interviews with some of the best contemporary pattern designers working today: Angie Lewin, Deborah Bowness, Eley Kishimoto, Emma J. Shipley, Galbraith & Paul, Neisha Crosland, Orla Kiely OBE, Sarah Campbell and Timorous Beasties. Each interview covers the designerβs practice and ethos and includes a deconstruction of one design, with discussion of initial sketches, details of design development, manufacturing insights and images of final products.
Covering hand-drawn techniques through to digital manipulation, youβll also be guided through the implications of visual language, colour statements, manufacturing considerations and commercial interior contexts to prepare you to jump in and start creating your own unique patterns.
β¦ Table of Contents
Cover
Contents
About the Author
Introduction
1 Patterns in History
Introduction
Patterns in history
Baroque bold 1700sβ1850s
Neoclassical formality 1750sβ1810s
Trading with pattern 1680sβ1830s
Gothic rules 1830sβ1860s
Arts and Crafts and the Aesthetic agenda1860sβ1890s
Art Nouveau and the decorative style1890sβ1930s
Artisan approach 1900sβ1930s
Modern mode 1920sβ1940s
Post-war 1945β1960s
Upbeat escapism and calm retreats, late1960sβ1980s
Postmodern magic and digital design1980sβ2020s
2 The BasicsβMaking Patterns
Introduction
Pattern language and process
Choosing the look, making motifs
Repeat and rhythm
Colour in design
Digital design: An introduction
Printing: Traditionally or digitally?
Application and context
3 Design Process: Interviews
Emma J Shipley
Angie Lewin
Orla Kiely OBE
Sarah Campbell
Neisha Crosland
Timorous Beasties
Galbraith & Paul
Deborah Bowness
Eley Kishimoto
Conclusion
Index
Acknowledgements
Image credits
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