<P>Recording Music on Location provides an exceptional collection of information regarding all aspects of recording outside of the studio. Featuring clear explanations on how to achieve professional results, this book is divided into two distinct sections: popular music and classical music. Whether
Recording Music on Location. Capturing the Live Performance
โ Scribed by Bruce Bartlett and Jenny Bartlett (Auth.)
- Publisher
- Taylor & Francis
- Year
- 2007
- Tongue
- English
- Leaves
- 285
- Category
- Library
No coin nor oath required. For personal study only.
โฆ Table of Contents
Content:
Copyright, Page iv
Dedication, Page v
Preface, Pages xvii-xix
Chapter 1 - Gear for Live Recording, Pages 3-27
Chapter 2 - Recording Techniques from Simple to Complex, Pages 29-44
Chapter 3 - Before the Session: Planning, Pages 45-55
Chapter 4 - At the Session: Setup and Recording, Pages 57-69
Chapter 5 - After the Session: Mixing and Editing, Pages 71-85
Chapter 6 - A Real-World Example: Recording a Blues Band in a Club, Pages 87-93
Chapter 7 - Microphone Specifications, Pages 97-106
Chapter 8 - Overview of Stereo Microphone Techniques, Pages 107-119
Chapter 9 - Stereo Recording Procedures, Pages 121-139
Chapter 10 - Surround-Sound Miking Techniques, Pages 141-156
Chapter 11 - Troubleshooting Stereo Sound, Pages 157-163
Chapter 12 - Stereo, Surround, and Binaural Microphones and Accessories, Pages 165-180
Appendix A - Stereo Imaging Theory, Pages 181-207
Appendix B - Specific Free-Field Stereo Microphone Techniques, Pages 209-239
Appendix C - Stereo Boundary-Microphone Arrays, Pages 241-248
Appendix D - Binaural Techniques, Pages 249-257
Acknowledgments, Page 259
Glossary, Pages 261-286
Index, Pages 287-296
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