240 pages : 22 cm
Radio: Making Waves in Sound
β Scribed by Alasdair Pinkerton
- Publisher
- Reaktion Books
- Year
- 2019
- Tongue
- English
- Leaves
- 241
- Edition
- Hardcover
- Category
- Library
No coin nor oath required. For personal study only.
β¦ Synopsis
Radio is a medium of seemingly endless contradictions. Now in its third century of existence, the technology still seems startlingly modern; despite frequent predictions of its demise, radio continues to evolve and flourish in the age of the internet and social media. This book explores the history of the radio, describing its technological, political, and social evolution, and how it emerged from Victorian experimental laboratories to become a near-ubiquitous presence in our lives.
Alasdair Pinkertonβs story is shaped by radioβs multiple characters and characteristicsβradio waves occur in nature, for instance, but have also been harnessed and molded by human beings to bridge oceans and reconfigure our experience of space and time. Published in association with the Science Museum, London,Radiois an informative and thought-provoking book for all enthusiasts of an old technology that still has the capacity to enthuse, entertain, entice, and enrage today.
π SIMILAR VOLUMES
Radio's New Wave explores the evolution of audio media and sound scholarship in the digital age. Extending and updating the focus of their widely acclaimed 2001 book The Radio Reader, Hilmes and Loviglio gather together innovative work by both established and rising scholars to explore the ways that
<div> <p>This book introduces the reader to amateur radio and prepares them for the FCC Technician license exam. It focuses on electronics and wireless technologies through projects that provide some hands-on hardware construction and operation. The reader can look upon this book as a short course
<p>Radio produced and broadcast behind prison walls is redefining traditional meanings of βpublic service broadcastingβ and disrupting traditional power structures within the prison system. Focusing on one of the most interesting developments in UK prisons over the past 10 years, this book examines
The opening decades of the twentieth century witnessed a profound transformation in the history of modern sound media, with workers in U.S. film, radio, and record industries developing pioneering production methods and performance styles tailored to emerging technologies of electric sound reproduct