Projecting the World: Representing the "foreign" in Classical Hollywood

Projecting the World: Representing the "

📁 Projecting the World: Representing the "Foreign" in Classical Hollywood

✍ Anna Cooper 📂 Library 🌐 English

Projecting the World: Representing the "

📁 Projecting the World: Representing the "Foreign" in Classical Hollywood

✍ Russell Meeuf, Anna Cooper 📂 Library 📅 2017 🏛 Wayne State University Press 🌐 English

<p>The classical Hollywood films that were released between the 1930s and 1960s were some of the most famous products of global trade, crisscrossing borders and rising to international dominance. In analyzing a series of Hollywood films that illustrate moments of nuanced transnational engagement wit

Projecting the World: Representing the "

📁 Projecting the World: Representing the "Foreign" in Classical Hollywood

✍ Anna Cooper (editor), Russell Meeuf (editor) 📂 Library 📅 2017 🏛 Wayne State Univ Pr 🌐 English

<p>The classical Hollywood films that were released between the 1930s and 1960s were some of the most famous products of global trade, crisscrossing borders and rising to international dominance. In analyzing a series of Hollywood films that illustrate moments of nuanced transnational engagement wit

Cinema Civil Rights : Regulation, Repres

📁 Cinema Civil Rights : Regulation, Repression, and Race in the Classical Hollywood Era

✍ Ellen C. Scott 📂 Library 📅 2014 🏛 Rutgers University Press 🌐 English

"Cinema Civil Rights" presents the untold history of how black audiences, activists, and lobbyists influenced the depiction of race in American films of the 1930s, 1940s, and 1950s. Drawing from extensive archival research, Ellen C. Scott takes us to the sites, both inside and outside of Hollywood,

Cinema Civil Rights: Regulation, Repress

📁 Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era

✍ Ellen C. Scott 📂 Library 📅 2015 🏛 Rutgers University Press 🌐 English

<p>From Al Jolson in blackface to Song of the South, there is a long history of racism in Hollywood film. Yet as early as the 1930s, movie studios carefully vetted their releases, removing racially offensive language like the “N-word.” This censorship did not stem from purely humanitarian concerns,

How Hollywood Projects Foreign Policy

📁 How Hollywood Projects Foreign Policy

✍ Sally Totman 📂 Library 📅 2009 🌐 English

Projecting the World: Representing the "foreign" in Classical Hollywood

✦ Synopsis